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The BNP Paribas Foundation
Fondation BNP Paribas
Mirage
Vaclav Kunes
Plexus
Aurélien Bory , Kaori Ito
Plan B
Aurélien Bory
Constellation
Alonzo King
Triangle of the Squinches
Alonzo King
l’Espace d’un Instant
Kitsou Dubois
Resin
Alonzo King
Extraits de répertoire
Angelin Preljocaj
Songes
Béatrice Massin
Terpsichore
Béatrice Massin
Fantaisies
Béatrice Massin
Meyer
Alonzo King
Hans was Heiri
Martin Zimmermann , Dimitri De Perrot
May
Vaclav Kunes
Taoub
Aurélien Bory
Wind-up
Vaclav Kunes
Héros Ordinaires
Sylvain Groud
Sinué
Mauro Paccagnella
Le Bal des Intouchables
Les Colporteurs
Hautes pointures
Les Colporteurs
Tarina
Les Colporteurs
Sur la route
Les Colporteurs
Traversées
Kitsou Dubois
Questcequetudeviens ?
Aurélien Bory
Azimut
Aurélien Bory
Géométrie de caoutchouc
Aurélien Bory
Daral Shaga
Feria Musica
Infundibulum
Mauro Paccagnella
Le vertige du papillon
Fatou Traore
4D
Sidi Larbi Cherkaoui
PUZ/ZLE
Sidi Larbi Cherkaoui
Plus ou moins l’infini
Aurélien Bory
Öper Öpis
Martin Zimmermann , Dimitri De Perrot
Micro
Pierre Rigal
Micro
Pierre Rigal
Empreintes Massaï
Georges Momboye
A small hour ago
Vaclav Kunes
Sacrebleu
Fondation BNP Paribas
Reen
Vaclav Kunes
Cordes
Sylvain Groud
People
Sylvain Groud
Donc
Sylvain Groud
Chambre 209
Sylvain Groud
Gaff Aff
Martin Zimmermann , Dimitri De Perrot
Chouf Ouchouf
Martin Zimmermann , Dimitri De Perrot
Les lieux de là
Mathilde Monnier
Sans Objet
Aurélien Bory
La Belle Dame
Béatrice Massin
Collusion
Sylvain Groud
Collusion
Sylvain Groud
Empreintes Massaï
Georges Momboye
Resin
Émergeant d’une histoire interculturelle enchevêtrée qui traverse les siècles, les continents et les croyances, la musique séfarade est un témoignage vivant des diverses rencontres entre le judaïsme et les communautés où la diaspora séfarade s’est établie
Resin is a work created on musics hailing from the rich Sephardic tradition. Emerging from a spirited and tangled intercultural history that crosses centuries, continents and beliefs, Sephardic music is a living testimony of the varying encounters between Judaism and the communities where the Sephardic diaspora settled. A dancer compresses his body against the walls of a cone of light; the luminous circle rises, the lament of a shofar rings out, Resin can begin.
Just as the work moves from intimate duets to the dazzling, almost imperceptible, footwork of a quartet of dancers, Alonzo King explores the possibilities offered by the vast panorama of traditional Sephardic music. In this “Diaspora in the Diaspora” as the curator and ethnomusicologist Francesco Spagnolo wrote, “the music of the Sephardic Jewish community came into contact with the music coming from Europe, particularly from Italy and the Balkans, but above all with the Arabic and Turkish musical heritage”. Precious archive recordings are interwoven with Judaeo-Spanish musics.