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The BNP Paribas Foundation
Fondation BNP Paribas
Mirage
Vaclav Kunes
Plexus
Aurélien Bory , Kaori Ito
Plan B
Aurélien Bory
Constellation
Alonzo King
Triangle of the Squinches
Alonzo King
l’Espace d’un Instant
Kitsou Dubois
Resin
Alonzo King
Extraits de répertoire
Angelin Preljocaj
Songes
Béatrice Massin
Terpsichore
Béatrice Massin
Fantaisies
Béatrice Massin
Meyer
Alonzo King
Hans was Heiri
Martin Zimmermann , Dimitri De Perrot
May
Vaclav Kunes
Taoub
Aurélien Bory
Wind-up
Vaclav Kunes
Héros Ordinaires
Sylvain Groud
Sinué
Mauro Paccagnella
Le Bal des Intouchables
Les Colporteurs
Hautes pointures
Les Colporteurs
Tarina
Les Colporteurs
Sur la route
Les Colporteurs
Traversées
Kitsou Dubois
Questcequetudeviens ?
Aurélien Bory
Azimut
Aurélien Bory
Géométrie de caoutchouc
Aurélien Bory
Daral Shaga
Feria Musica
Infundibulum
Mauro Paccagnella
Le vertige du papillon
Fatou Traore
4D
Sidi Larbi Cherkaoui
PUZ/ZLE
Sidi Larbi Cherkaoui
Plus ou moins l’infini
Aurélien Bory
Öper Öpis
Martin Zimmermann , Dimitri De Perrot
Micro
Pierre Rigal
Micro
Pierre Rigal
Empreintes Massaï
Georges Momboye
A small hour ago
Vaclav Kunes
Sacrebleu
Fondation BNP Paribas
Reen
Vaclav Kunes
Cordes
Sylvain Groud
People
Sylvain Groud
Donc
Sylvain Groud
Chambre 209
Sylvain Groud
Gaff Aff
Martin Zimmermann , Dimitri De Perrot
Chouf Ouchouf
Martin Zimmermann , Dimitri De Perrot
Les lieux de là
Mathilde Monnier
Sans Objet
Aurélien Bory
La Belle Dame
Béatrice Massin
Collusion
Sylvain Groud
Collusion
Sylvain Groud
Empreintes Massaï
Georges Momboye
l'Espace d'un Instant
L’Espace d’un Instant is a story of bodies in their environment :To exist, any movement passes by brief moments of imbalance, suspension, even of disorder.
L’Espace d’un Instant is a story of bodies in their environment :
To exist, any movement passes by brief moments of imbalance, suspension, even of disorder. With L’Espace d’un Instant (“a very brief moment”), Kitsou Dubois invites us to travel in the middle of these moments.
She proposes a course to the audience, to install them in the special rythm of the representation. A course in three stages to see, listen and feel, where the body acts like a prolongation of the senses and takes part in perception. The choreographer distils some of her experiments there to reach these moments of suspension which make the matter of her work.
The audience is then invited to come closest to the stage where the trapezist Chloé Moglia initiates a dialogue with the dancer Francesca Bonato. Each one evolves/moves initially in its space of predilection, before taming the space of the other gradually, and thus making the meeting possible.
The two interpreters are immersed in a sound material designed by Martin Wheeler. He uses the technique of the granular synthesis : the sound is stretched, Time is like suspended… The sound moves are like an echo with the movement in the “suspended-bodies” of the dancers.
Later, the dancers dialogue with the video image, as in a duo with a double, an other body immersed in another environment.