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The BNP Paribas Foundation
Fondation BNP Paribas
Mirage
Vaclav Kunes
Plexus
Aurélien Bory , Kaori Ito
Plan B
Aurélien Bory
Constellation
Alonzo King
Triangle of the Squinches
Alonzo King
l’Espace d’un Instant
Kitsou Dubois
Resin
Alonzo King
Extraits de répertoire
Angelin Preljocaj
Songes
Béatrice Massin
Terpsichore
Béatrice Massin
Fantaisies
Béatrice Massin
Meyer
Alonzo King
Hans was Heiri
Martin Zimmermann , Dimitri De Perrot
May
Vaclav Kunes
Taoub
Aurélien Bory
Wind-up
Vaclav Kunes
Héros Ordinaires
Sylvain Groud
Sinué
Mauro Paccagnella
Le Bal des Intouchables
Les Colporteurs
Hautes pointures
Les Colporteurs
Tarina
Les Colporteurs
Sur la route
Les Colporteurs
Traversées
Kitsou Dubois
Questcequetudeviens ?
Aurélien Bory
Azimut
Aurélien Bory
Géométrie de caoutchouc
Aurélien Bory
Daral Shaga
Feria Musica
Infundibulum
Mauro Paccagnella
Le vertige du papillon
Fatou Traore
4D
Sidi Larbi Cherkaoui
PUZ/ZLE
Sidi Larbi Cherkaoui
Plus ou moins l’infini
Aurélien Bory
Öper Öpis
Martin Zimmermann , Dimitri De Perrot
Micro
Pierre Rigal
Micro
Pierre Rigal
Empreintes Massaï
Georges Momboye
A small hour ago
Vaclav Kunes
Sacrebleu
Fondation BNP Paribas
Reen
Vaclav Kunes
Cordes
Sylvain Groud
People
Sylvain Groud
Donc
Sylvain Groud
Chambre 209
Sylvain Groud
Gaff Aff
Martin Zimmermann , Dimitri De Perrot
Chouf Ouchouf
Martin Zimmermann , Dimitri De Perrot
Les lieux de là
Mathilde Monnier
Sans Objet
Aurélien Bory
La Belle Dame
Béatrice Massin
Collusion
Sylvain Groud
Collusion
Sylvain Groud
Empreintes Massaï
Georges Momboye
Sur la route
Lorsque Œdipe prend la route, c’est pour tenter, après la tragédie, de reprendre différemment le fil de sa vie, de retrouver l’équilibre après qu’il s’est rompu.
When Oedipus takes to the road, it is to attempt, after the tragedy, to pick up the threads of his life differently, to restore the balance that has been broken. The limpid, rebellious and illuminating Antigone is a necessary part of this journey. One that they will understand they can only undertake together. Sur la route… is a dialogue of bodies between a wounded man and a woman walking a tightrope. The duo they create is a choreography of balance. It is also for Antoine Rigot, a tightrope walker and victim of an accident in May 2000, a new step in the re-invention of his art. In this approach, Sur la route… talks to us of the tightrope in an infinitely personal manner, which goes far beyond an exercise in virtuosity.