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The BNP Paribas Foundation
Fondation BNP Paribas
Mirage
Vaclav Kunes
Plexus
Aurélien Bory , Kaori Ito
Plan B
Aurélien Bory
Constellation
Alonzo King
Triangle of the Squinches
Alonzo King
l’Espace d’un Instant
Kitsou Dubois
Resin
Alonzo King
Extraits de répertoire
Angelin Preljocaj
Songes
Béatrice Massin
Terpsichore
Béatrice Massin
Fantaisies
Béatrice Massin
Meyer
Alonzo King
Hans was Heiri
Martin Zimmermann , Dimitri De Perrot
May
Vaclav Kunes
Taoub
Aurélien Bory
Wind-up
Vaclav Kunes
Héros Ordinaires
Sylvain Groud
Sinué
Mauro Paccagnella
Le Bal des Intouchables
Les Colporteurs
Hautes pointures
Les Colporteurs
Tarina
Les Colporteurs
Sur la route
Les Colporteurs
Traversées
Kitsou Dubois
Questcequetudeviens ?
Aurélien Bory
Azimut
Aurélien Bory
Géométrie de caoutchouc
Aurélien Bory
Daral Shaga
Feria Musica
Infundibulum
Mauro Paccagnella
Le vertige du papillon
Fatou Traore
4D
Sidi Larbi Cherkaoui
PUZ/ZLE
Sidi Larbi Cherkaoui
Plus ou moins l’infini
Aurélien Bory
Öper Öpis
Martin Zimmermann , Dimitri De Perrot
Micro
Pierre Rigal
Micro
Pierre Rigal
Empreintes Massaï
Georges Momboye
A small hour ago
Vaclav Kunes
Sacrebleu
Fondation BNP Paribas
Reen
Vaclav Kunes
Cordes
Sylvain Groud
People
Sylvain Groud
Donc
Sylvain Groud
Chambre 209
Sylvain Groud
Gaff Aff
Martin Zimmermann , Dimitri De Perrot
Chouf Ouchouf
Martin Zimmermann , Dimitri De Perrot
Les lieux de là
Mathilde Monnier
Sans Objet
Aurélien Bory
La Belle Dame
Béatrice Massin
Collusion
Sylvain Groud
Collusion
Sylvain Groud
Empreintes Massaï
Georges Momboye
Chambre 209
Choreogrphic Installation.Polymorphous performance born of the time the choreographer, artist and videographer spent in cultural immersion in a skilled nursing facility.
Polymorphous performance born of the time the choreographer, artist and videographer spent in cultural immersion in a skilled nursing facility. A cubical structure enclosed by the blades of its shutters, that suddenly opens and transforms into a hallway, a room, or a medical facility. Sylvain Groud progresses through this space, surrounded by moving images : silhouette of the dancer himself, the ballet of nurses, the faces of the elderly. In this choral solo, Sylvain Groud is patient, carer, observer, breath of freedom all in one. Sensitive and touching, this choreographic object is both the sharing of an intimate experience and a questioning around our relationship to death. Speaking to us of the place where lives come to an end, he creates gentleness.