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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
Les Disparates, le film
Filmed in Dieppe, this short film is not more than a document of the work of choreography: it sheds new light on the choreographic process developed in the stage version.
This video by the film maker César Vayssié is based on a stage solo performance under the same title, created by Boris Charmatz and Dimitri Chamblas. On stage, the body of the dancer comes to share the space with a sculpture by the visual artist Tony Grand. The performance takes place in a black box theater, which is to say that it uses the traditional configuration of live performance. Using elements of this solo performance, César Vayssié creates a new, cinematographic work. Filmed in Dieppe, this short film is not more than a document of the work of choreography: it sheds new light on the choreographic process developed in the stage version. The dance incorporates the reality and some narrative codes in a sound film without words. The camera angles chosen by César Vayssié, as well as his choreographic writing, take the imagination and the reception of this dance into new spheres where layers of meaning multiply.
It is important to note that, as with any work of cinema, the conditions in which the object is viewed are essential to the appreciation of the work. Although the whole version the whole version is shown here, it is in small format, and should be viewed for research purposes only.
Source : Boris Charmatz
More information :
http://www.borischarmatz.org/