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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
enfant
Enfant represents dance in its essential form: letting-go and letting-be in the circulation of bodies of very different sizes.
Created for the Cour d’honneur du Palais des Papes, Enfant is a work of choreography for nine dancers of adult size and twenty-six child dancers. Reusing the machines from Régi (2005) and working with various choreographic materials from the previous piece, Levée des conflits (2009), Enfant represents dance in its essential form: letting-go and letting-be in the circulation of bodies of very different sizes. This performance also experiments with the choreographic force: that is, of being arranged according to multiple scenarios. In this work, Boris Charmatz reveals a space particular to the danced gesture: how does the gesture impose its presence within the volume that contains it, and how does it, at the same time, create a space of its own? In the extract shown here, the adult bodies, with extreme precision, move around, shake, and manipulate the bodies of children. The children embody the awareness of inertia, of letting-go, of the weight, through their absolute obedience to the physical commands executed by the adult bodies. As the performance progresses, the relationship is reversed, and it is the children’s bodies that cooperate to act upon the adult bodies which are rendered inert.
Source : Boris Charmatz
More information :
http://www.borischarmatz.org/