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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
Education, le film work in progress
César Vayssié’s film is a portrayal and a construction-in-progress of Boris Charmatz’s in situ project, “Education”.
César Vayssié’s film is a portrayal and a construction-in-progress of Boris Charmatz’s in situ project, “Education” (November 2000, at the Parlement de Bretagne in Rennes). The visitor is invited to walk from room to room, around the choreographic installation, passing from the courtroom to function rooms. “Education” addresses the question of the educated body and the relationship between learning and authority. Without contrived dramaturgy or unifying choreographic writing, the installation was an inspiration for collages, cross-breeding of ideas, and superposition of materials in an experimental project. In his film, César Vayssié plays with these collages, eliciting seamless transformations, repetitions of scenes evoking the open-ended character of the work, the eternal work-in-progress that results from experimentation. The style of filming and editing the images respects this lack of finitude.
It is important to note that, as with any work of cinema, the conditions in which the object is viewed are essential to the appreciation of the work. Although the whole version is shown here, it is in small format, and should be viewed for research purposes only.
Credits
Source : de Boris Charmatz
More information :
www.alainmichard.org/
http://www.borischarmatz.org/