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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
Improvisation
The two artists engage their shared potential—the technical mastery and a deep sense of derision—in a structured and always renewed improvisation.
Improvisation is the vehicle that drives creativity in music as well as in dance. Boris Charmatz, throughout his career, has frequently taken part in ephemeral forms bringing together, for the duration of an improvisation, artists and media, writing and singular worlds. In addition to improvisations with other choreographers, such as Meg Stuart, Boris Charmatz often improvises alongside musicians. This was the case for example during the festival Jazz à la Villette (2006), with Hans Bennink, Archie Shepp, and with Saul Williams. With Médéric Collignon, the improvisational project is more long-term, simply entitled “Improvisation.” The two artists engage their shared potential—the technical mastery and a deep sense of derision—in a structured and always renewed improvisation. The gesture of dance, as well as the pocket trumpet are clearly present but also leave room for electronic music, spoken word, song, vocalizations, for gesticulation and stomping… This improvising duo explores an extremely broad range of subjects which they engage with directly through their instantaneously shared writing.
Source : Boris Charmatz
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