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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
Flip book
Flip Book arose from the desire to stage the Cunninghamian corpus by European dancers, while at the same time elaborating a “democratic” archive, that is, one accessible to everyone: David Vaughan’s book on Merce Cunningham.
Flip Book arose from the desire to stage the Cunninghamian corpus by European dancers, while at the same time elaborating a “democratic” archive, that is, one accessible to everyone: David Vaughan’s book on Merce Cunningham. This project is a matrix that will be used in creating two other works: “Roman photo” for amateur dancers and “50 years of dance” produced with former dancers from Cunningham’s company, belonging to different generations and brought together for the occasion.
This choreographic work proposes to “perform,” live, the photographs from the book, in chronological order and in their totality. If the “danced forms” are indicated by these photographs, choreographic writing resides in the linkage, in the interweaving of the images, in the spatial arrangement of these stills. Choreographic writing must also address various specific elements: how to introduce the everyday scenes presented in the book? How to suggest the “blurring” present in certain shots, an invisibility which does not allow the dancers to reproduce the figures with precision? The original title of this performance was “Tout Cunningham” (All Cunningham): a work-in-progress, this performance is designed as a flipbook charting Cunningham’s life, and it shows how today’s European dancers are shaped by that American heritage.
Source : Boris Charmatz
More informations :
http://www.borischarmatz.org/