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Queen Blood
Ousmane Sy
Master Cypher
Ousmane Sy
From Scratch
Iffra Dia
Passacaille
Iffra Dia
R1R2
Bouside Ait Atmane
One Shot
Ousmane Sy
Fighting Spirit
Ousmane Sy
Dans l’arène
Bouside Ait Atmane , Yanka Pédron
Balade sensorielle
Johanna Faye
Earthbound
Saïdo Lehlouh , Johanna Faye
Afastado em
Johanna Faye
Wild Cat
Saïdo Lehlouh
Shapeshifting
Linda Hayford
Basic
Ousmane Sy
AlShe_Me
Linda Hayford
Apaches
Saïdo Lehlouh
Improvisation
Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
enfant
Boris Charmatz
Roman Photo
Boris Charmatz
Tarkos Training
Boris Charmatz
Levée des conflits
Boris Charmatz
Une lente introduction
Boris Charmatz
Statuts
Boris Charmatz
Quintette cercle
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
La Danseuse malade
Boris Charmatz
Horace Benedict
Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Flip book
Boris Charmatz
Education, le film work in progress
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Les Disparates, le film
Boris Charmatz
Ascension
Boris Charmatz
À bras le corps
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Aatt enen tionon
Boris Charmatz
50 ans de danse
Boris Charmatz
50 ans de danse
This work of choreography, created following “Flip Book” and “Roman photo,” is based on the same principle: namely staging the photographs from David Vaughan’s book, Merce Cunningham, Fifty Years.
This work of choreography, created following “Flip Book” and “Roman photo,” is based on the same principle: namely staging the photographs from David Vaughan’s book, Merce Cunningham, Fifty Years. The procedure adopted consists in creating a succession of scenes following the chronological order of the book and reproducing all the positions captured by the camera lens. Thus retracing Cunningham’s chronology, these three performances reflect our perception of Cunningham’s dance derived from a source of static images. Boris Charmatz invited former dancers from Cunningham’s company to set this process in motion in “50 years of dance.” How are their bodies marked by their experience of working with Cunningham? How do they approach the photographs of Cunningham’s performances in which they themselves took part? The film clip reveals the wealth of choreographic writing which unfolds according to the rule of the work’s construction, and the juxtaposition of dance photographs and snapshots of moments of work, or even of everyday life, taken from the book. It shows how these dancers invest a basic material in order to propose an extrapolation through movement.
Source : site internet Boris Charmatz
More informations :
http://www.borischarmatz.org/