This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Act
Tanzcompagnie Rubato
Air
Nina Schwarz , Elma Riza , Benedict Bindewald
Alice Im Wunderland
Martin Stiefermann
Der Bau
Isabelle Schad , Laurent Goldring
Festina lente
Malgven Gerbes , David Brandstätter
In common
Ivana Müller
Les petites morts – I hope you die soon
Jared Gradinger
Jean Weidt – Physical encounters
Britta Wirthmüller
RechtsRadikal
Christoph winkler
Scha’irlie – This is not a Chaplin
Kadir Memis
Zwischen jetzt
Anna Huber
Abendliche Tänze
Christoph winkler
DANCE IS NOT ENOUGH
Christoph winkler
BÖSE KÖRPER – EVIL BODIES
Christoph winkler
TAKING STEPS
Christoph winkler
BIOPICS
Christoph winkler
Berlin Gogos
Christoph winkler
Dance! Copy! Right?
Christoph winkler
RECHTSRADIKAL – Broadcasting Kulturzeit
Christoph winkler
Dance! Copy! Right? – TV Program Kulturzeit
Christoph winkler
Cheveux persans
Christoph Winkler
Speak Boldly : The Julius Eastman Dance Project/Femenine
Christoph Winkler
Ernest Berk – The complete expressionist
Christoph Winkler
The Voice That You Are
Christoph winkler
Speak Boldly – The Julius Eastman Dance Project / THE HOLY PRESENCE OF JOAN D’ARC
Christoph winkler
Speak Boldly – The Julius Eastman Dance Project / GAY GUERRILLA
Christoph winkler
blabla
Christoph Winkler
Mcheza Ngoma
Michael Maurissens
Mcheza Ngoma
Isack Peter Abeneko , Musa Hlatshwayo
Sidi Larbi Cherkaoui
Sidi Larbi Cherkaoui
IT’S ALL FORGOTTEN NOW – A performative mixtape for Mark Fisher
Christoph Winkler
IT’S ALL FORGOTTEN NOW – a performative mixtape for Mark Fisher
Christoph Winkler
IT’S ALL FORGOTTEN NOW – A performative mixtape for Mark Fisher
Christoph Winkler
IT’S ALL FORGOTTEN NOW – A performative mixtape for Mark Fisher
Christoph Winkler
IT’S ALL FORGOTTEN NOW – A performative mixtape for Mark Fisher
Christoph Winkler
IT’S ALL FORGOTTEN NOW – A performative mixtape for Mark Fisher
Christoph Winkler
Senedon (inspired by Steve Reich’s Piano Phase)
Christoph Winkler
We Are Goig To Mars – and We’ll Unite The Galaxies
Christoph Winkler
We Are Going To Mars | SUITE
Christoph winkler
We Are Going To Mars – a choreographic concert
Christoph Winkler
Come out
Christoph winkler
Stay On It
Christoph winkler
Lead Role
Christoph winkler
Four Non Blondes
Christoph Winkler
Songs and dances about the Weather
Christoph Winkler
IT'S ALL FORGOTTEN NOW - A performative mixtape for Mark Fisher
In January 2017, the British cultural scientist and pop theorist Mark Fisher took his own life. He became known to a wider audience through his work “Capitalist Realism” in which he addresses the widespread view that there is no alternative to capitalist reality. Fisher diagnosed a cultural exhaustion syndrome resulting from the collapse of temporality: the end of the world can be imagined, but the end of capitalism cannot.
While technological development has been accelerated by the Internet and related communication devices at a pace that is difficult to grasp, cultural progress has slowed to a standstill.
Consequently, Fisher sees the signs of exhaustion not only in the political and cultural operations of neoliberal societies but also on an emotional level. In the faces of his students, in apocalyptic Hollywood film sets or reality shows.
He did not want to come to terms with this and repeatedly demanded resistance:
“The tiniest event can tear a hole in the grey curtain of reaction which has marked the horizons of possibility under capitalist realism.”
Fisher analysed rare Jungle records, obscure soundtracks, as well as films or books by contemporary authors. A music mix he put together had the same value as an essay.
With this project we try to create a performative mixtape which deals with some aspects and concepts of Mark Fisher.
Phenomena like hauntology or the strange and mysterious (the weird& the eerie) express themselves not only politically but also aesthetically.
They find their expression in music, film and dance and are the starting point for the piece.
Due to the corona crisis, many dancers* of the company could not arrive, but are connected from outside. They are the “ghosts” of this work and become a virtual part of the performance.
A circumstance that Mark Fisher would certainly have liked.