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Fuenteovejuna
Antonio Gades
May B
Maguy Marin
Eden
Maguy Marin
Caminos Andaluces
Cristina Hoyos
Entrée d’Apollon
Louis-Guillaume Pécour
Necesito
Dominique Bagouet
Assaï
Dominique Bagouet
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
Dix anges
Dominique Bagouet
Bruit blanc [Autour de Marie-France]
Mathilde Monnier
Welcome to paradise
Joëlle Bouvier , Régis Obadia
Codex
Philippe Decouflé
Triton
Philippe Decouflé
Hibiki
Ushio Amagatsu
Le sacre du printemps
Maryse Delente
Kathak
Birju Maharaj
Oyster
Inbal Pinto
Indaten
Joëlle Bouvier , Régis Obadia
Les chiens
Joëlle Bouvier , Régis Obadia
Le sacre du printemps
Heddy Maalem
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Demi-Lune
Fred Bendongué
Sheer Romance
Charles Picq
Ballade
Sylvie Giron
Im Bade wannen (1992)
Susanne Linke
Une femme chaque nuit voyage en grand secret
Joëlle Bouvier , Régis Obadia
Un imprudent bonheur
Joëlle Bouvier , Régis Obadia
Vertée
Joëlle Bouvier , Régis Obadia
Peurs bleues
Angelin Preljocaj
Larmes blanches
Angelin Preljocaj
Marché noir
Angelin Preljocaj
L’Angela, après l’échec d’une révolution
Fred Bendongué
Giselle ou le mensonge romantique
Maryse Delente
Continuous replay
Bill T. Jones
Havoc
Bill T. Jones
Soon
Bill T. Jones
D-Man in the waters
Bill T. Jones
The Gift/No God Logic
Bill T. Jones
Last night on earth
Bill T. Jones
So Schnell
Dominique Bagouet
Montpellier, le saut de l’ange
Dominique Bagouet
Red room
Bill T. Jones
Unetsu, des œufs debout par curiosité
Ushio Amagatsu
Yewa, eau sublime
Germaine Acogny
Espoir 95
Elsa Wolliaston
Les stratégies obliques
Valérie Rivière
21
Rodrigo Pederneiras
Les 2
Abou Lagraa
Unetsu
Ushio Amagatsu
Unetsu
Ushio Amagatsu
Récits des tribus Oméga
Karl Biscuit , Marcia Barcellos
Récital de Bharata Natyam
Élisabeth Petit
Käfig
Mourad Merzouki
Welcome to paradise
WELCOME TO PARADISE / first performed 1989
Choreography and dance performance Joëlle Bouvier, Régis Obadia
“This duet was composed not long after the two dancer-choreographers produced their first short films (‘La Chambre’ and ‘L’Étreinte’). If their primary source is neo-realist Italian cinema, other references show through, notably in the soundtrack, which reuses dialogue from Sam Fuller’s films and ‘I Want to be Loved by You’ performed by Marylin Monroe. But here, cinema is more than a reference, it is choreographic material: the concept of the music soundtrack, lighting, linking of sequences and effects contribute to create a film-like choreography. With no set, and as props, just a bouquet of flowers and a rope – at times a swing, at times possibly a rope around the neck – the the two dancers (he in a dark jacket, she in a simple black dress and high heels that are soon discarded) work their way through the range of feelings that affect a couple: tenderness, sorrow, desire, ecstasy, submission, escape. With a rare dramatic accuracy, entirely carried by their physical presence, they polish the facets of a love affair – sensual and cruel, anchored in the body – until they gleam. This duet between hypnosis and vertigo is marked by a recurrent eddying motif. It ends in a white cloud of talcum powder which both dancers throw into the air, a ‘cloud of unknowing’ which descends as a halo around the image of their crossed destinies.” Source: Dictionnaire de la danse, Philippe Le Moal, Ed Larousse, 1999
Credits
Chorégraphie et interprétation Joëlle Bouvier, Régis Obadia bande son Patrick Roudier costumes Thomas Smith lumières Marc OlivieroCoproduction Théâtre de la ville, Maison de la culture du Havre, l’EsquisseRéalisation vidéo Charles Picq date du document 1992 production Maison de la Danse
Updating: March 2011