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Fuenteovejuna
Antonio Gades
May B
Maguy Marin
Eden
Maguy Marin
Caminos Andaluces
Cristina Hoyos
Entrée d’Apollon
Louis-Guillaume Pécour
Necesito
Dominique Bagouet
Assaï
Dominique Bagouet
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
Dix anges
Dominique Bagouet
Bruit blanc [Autour de Marie-France]
Mathilde Monnier
Welcome to paradise
Joëlle Bouvier , Régis Obadia
Codex
Philippe Decouflé
Triton
Philippe Decouflé
Hibiki
Ushio Amagatsu
Le sacre du printemps
Maryse Delente
Kathak
Birju Maharaj
Oyster
Inbal Pinto
Indaten
Joëlle Bouvier , Régis Obadia
Les chiens
Joëlle Bouvier , Régis Obadia
Le sacre du printemps
Heddy Maalem
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Demi-Lune
Fred Bendongué
Sheer Romance
Charles Picq
Ballade
Sylvie Giron
Im Bade wannen (1992)
Susanne Linke
Une femme chaque nuit voyage en grand secret
Joëlle Bouvier , Régis Obadia
Un imprudent bonheur
Joëlle Bouvier , Régis Obadia
Vertée
Joëlle Bouvier , Régis Obadia
Peurs bleues
Angelin Preljocaj
Larmes blanches
Angelin Preljocaj
Marché noir
Angelin Preljocaj
L’Angela, après l’échec d’une révolution
Fred Bendongué
Giselle ou le mensonge romantique
Maryse Delente
Continuous replay
Bill T. Jones
Havoc
Bill T. Jones
Soon
Bill T. Jones
D-Man in the waters
Bill T. Jones
The Gift/No God Logic
Bill T. Jones
Last night on earth
Bill T. Jones
So Schnell
Dominique Bagouet
Montpellier, le saut de l’ange
Dominique Bagouet
Red room
Bill T. Jones
Unetsu, des œufs debout par curiosité
Ushio Amagatsu
Yewa, eau sublime
Germaine Acogny
Espoir 95
Elsa Wolliaston
Les stratégies obliques
Valérie Rivière
21
Rodrigo Pederneiras
Les 2
Abou Lagraa
Unetsu
Ushio Amagatsu
Unetsu
Ushio Amagatsu
Récits des tribus Oméga
Karl Biscuit , Marcia Barcellos
Récital de Bharata Natyam
Élisabeth Petit
Käfig
Mourad Merzouki
Fuenteovejuna
Félix Lope de Vega, the great playwright of the Spanish Golden Age, wrote a baroque play in three acts called “Fuenteovejuna” after a village in the Córdoba region. It dramatises the revolt of peasants against their tyrannical lord.
Félix Lope de Vega (1562-1635), the great playwright of the Spanish Golden Age, wrote a baroque play in three acts called “Fuenteovejuna” (The Sheep Well) after a village in the Córdoba region. It dramatises the revolt of peasants against their tyrannical lord. This Commander, scornful, violent and devoid of honour, is assassinated. But the piece ends with a reconciliation between the sovereign power and the villagers, and a new lord is appointed. Here Lope de Vega seems to be trying to show the value of “social coherence” and solidarity between the weakest. The piece has survived down the centuries and many agree that it can be interpreted in a variety of ways. The theme of the story is that of the collective and united struggle of a population against the tyranny of a despot, represented by the character of Fernan Gomez, Commander of the Order of Calatrava, symbol of despotism and the irremovable privileges of the Andalusian ruling class. The people watch helplessly all the excesses and abuses of the arrogant and lustful Commander, who intends to impose his will on all the inhabitants of Fuenteovejuna, beginning with the village’s representative and finishing with the peasants and shepherds. The play makes expressive use of dance, music and lighting to portray the classic theatre of Lope de Vega, a key figure of Spain’s Golden Age.
Source : Maison de la Danse programme