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Fuenteovejuna
Antonio Gades
May B
Maguy Marin
Eden
Maguy Marin
Caminos Andaluces
Cristina Hoyos
Entrée d’Apollon
Louis-Guillaume Pécour
Necesito
Dominique Bagouet
Assaï
Dominique Bagouet
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
Dix anges
Dominique Bagouet
Bruit blanc [Autour de Marie-France]
Mathilde Monnier
Welcome to paradise
Joëlle Bouvier , Régis Obadia
Codex
Philippe Decouflé
Triton
Philippe Decouflé
Hibiki
Ushio Amagatsu
Le sacre du printemps
Maryse Delente
Kathak
Birju Maharaj
Oyster
Inbal Pinto
Indaten
Joëlle Bouvier , Régis Obadia
Les chiens
Joëlle Bouvier , Régis Obadia
Le sacre du printemps
Heddy Maalem
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Demi-Lune
Fred Bendongué
Sheer Romance
Charles Picq
Ballade
Sylvie Giron
Im Bade wannen (1992)
Susanne Linke
Une femme chaque nuit voyage en grand secret
Joëlle Bouvier , Régis Obadia
Un imprudent bonheur
Joëlle Bouvier , Régis Obadia
Vertée
Joëlle Bouvier , Régis Obadia
Peurs bleues
Angelin Preljocaj
Larmes blanches
Angelin Preljocaj
Marché noir
Angelin Preljocaj
L’Angela, après l’échec d’une révolution
Fred Bendongué
Giselle ou le mensonge romantique
Maryse Delente
Continuous replay
Bill T. Jones
Havoc
Bill T. Jones
Soon
Bill T. Jones
D-Man in the waters
Bill T. Jones
The Gift/No God Logic
Bill T. Jones
Last night on earth
Bill T. Jones
So Schnell
Dominique Bagouet
Montpellier, le saut de l’ange
Dominique Bagouet
Red room
Bill T. Jones
Unetsu, des œufs debout par curiosité
Ushio Amagatsu
Yewa, eau sublime
Germaine Acogny
Espoir 95
Elsa Wolliaston
Les stratégies obliques
Valérie Rivière
21
Rodrigo Pederneiras
Les 2
Abou Lagraa
Unetsu
Ushio Amagatsu
Unetsu
Ushio Amagatsu
Récits des tribus Oméga
Karl Biscuit , Marcia Barcellos
Récital de Bharata Natyam
Élisabeth Petit
Käfig
Mourad Merzouki
Le sacre du printemps
« It was dawn, Stravinsky premiered Le Sacre du Printemps (The Rite of Spring), something completely unexpected, unheard of. We heard a hymn, an ode to Nature, the music of a world, of life, of something growing green again. We know now he was composing a song, the voices of the forces inside the spiral of the unescapable darkness. Spring after spring, one war vomits out the next – and the soft green-ness of the new leaves does not last.
It is the beginning of a new dawn.
Le Sacre has been performed a thousand times, unforgettable yet always new, with the same shocking joy overflowing out of time, out of the ages, an edge, the alliance of the arches, the high sound of the grass being cut by a scythe, stalking an animal, its charge, a stream running over and under the earth, the inexplicable rhythm of fires burning at night, a line of shrieks blotting out a whimper. Unstoppable violence. How we would have liked to not have heard the death knell of the old drums, their power, their deep vibrations which encourage the idea: animate, then kill.
Our dawn finds us enmeshed in the process of recognizing the forces knotting our bodies, we are dancing. To the same chord, united in complete dis-harmony to celebrate this Sacre, dancing what is dead, what lives again and will die. Show the ritual, that which mixes death with life, bones and ash. To say again what a man does to celebrate the gift of such a terrible joy. To breathe this rhythm for the first and last time, when the veil drops before our eyes.
And Africa – a whole continent contained in the space which separates the day as it ends, from the beginning of the next one, daybreak. The end and the beginning of the world, a world on its knees when Stravinsky saw Red suns coming up in the East. A continent from which springs – at the same time as a promise – the thickening anguish of spring.
An earth withstanding the great leap forward of the universe, the force of Tomorrow ever present.
A last kingdom where we are now walking »
Source : Heddy Maalem – June 2003