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Una finestra che respira la città
Centre de Vidéo Danse de Bourgogne
Practice of falling
Centre de Vidéo Danse de Bourgogne
Run (version vertical)
Centre de Vidéo Danse de Bourgogne
Avalanche Kaito – TOULELE
Centre de Vidéo Danse de Bourgogne
EDÚNJOBÍ
Centre de Vidéo Danse de Bourgogne
In memory of
Centre de Vidéo Danse de Bourgogne
SYLPHIDES 3.1
Centre de Vidéo Danse de Bourgogne
Song Lines
Centre de Vidéo Danse de Bourgogne
L’ombre du doute
Centre de Vidéo Danse de Bourgogne
Études
Centre de Vidéo Danse de Bourgogne
100m
Centre de Vidéo Danse de Bourgogne
Reorienting The Fall
Centre de Vidéo Danse de Bourgogne
Shifting Tools
Centre de Vidéo Danse de Bourgogne
Ritmo
Centre de Vidéo Danse de Bourgogne
Choreo/cut/graphic
Centre de Vidéo Danse de Bourgogne
BOOKANIMA: Ballet
Centre de Vidéo Danse de Bourgogne
It’s not just a disco under the coconut trees. It’s an initiation
Centre de Vidéo Danse de Bourgogne
Memento…Boltanski!
Centre de Vidéo Danse de Bourgogne
Lullaby
Centre de Vidéo Danse de Bourgogne
Desolate
Centre de Vidéo Danse de Bourgogne
X Fastidiosa
Centre de Vidéo Danse de Bourgogne
.smooth
Centre de Vidéo Danse de Bourgogne
Fugante causal
Centre de Vidéo Danse de Bourgogne
Reorienting The Fall
In their first experiment together choreographer Elisa Zuppini and visual artist Christopher Tym investigate the relation between a body and a camera in motion.
As these two bodies amplify and inform each other’s movements, they begin to produce an altered sense of a moving environment between them, something beyond representation of the human body and its surroundings – they become extensions of each other. There’s a sense of free fall in this relationship, there is no up or down and that all movement has the potential to be destabilised and reoriented in multiple directions simultaneously.
Making
This work came out of an investigation into the relationship between the camera and the body and to explore new articulations that develop between them: Both of these entities are performing but how can they dance together? This video is split into four chapters, 1.Limbs & Joints 2.Torsion 3.Framing 4.Combinative Articulations – They are building blocks of discoveries that start with simple investigations just to see what is possible and then these discoveries are combined to create a synthesis of combined articulations such as the movements of the performer and the camera, the choreographies between them and the potential of framing devices to heighten the affect and experience of the viewer
Sound
The sounds was captured direct, no non-diegetic sound.
- Christopher TymDirector
- Elisa ZuppiniChoreographer
- Elisa ZuppiniPerformer
- Jacuzzi AmsterdamProducer