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Una finestra che respira la città
Centre de Vidéo Danse de Bourgogne
Practice of falling
Centre de Vidéo Danse de Bourgogne
Run (version vertical)
Centre de Vidéo Danse de Bourgogne
Avalanche Kaito – TOULELE
Centre de Vidéo Danse de Bourgogne
EDÚNJOBÍ
Centre de Vidéo Danse de Bourgogne
In memory of
Centre de Vidéo Danse de Bourgogne
SYLPHIDES 3.1
Centre de Vidéo Danse de Bourgogne
Song Lines
Centre de Vidéo Danse de Bourgogne
L’ombre du doute
Centre de Vidéo Danse de Bourgogne
Études
Centre de Vidéo Danse de Bourgogne
100m
Centre de Vidéo Danse de Bourgogne
Reorienting The Fall
Centre de Vidéo Danse de Bourgogne
Shifting Tools
Centre de Vidéo Danse de Bourgogne
Ritmo
Centre de Vidéo Danse de Bourgogne
Choreo/cut/graphic
Centre de Vidéo Danse de Bourgogne
BOOKANIMA: Ballet
Centre de Vidéo Danse de Bourgogne
It’s not just a disco under the coconut trees. It’s an initiation
Centre de Vidéo Danse de Bourgogne
Memento…Boltanski!
Centre de Vidéo Danse de Bourgogne
Lullaby
Centre de Vidéo Danse de Bourgogne
Desolate
Centre de Vidéo Danse de Bourgogne
X Fastidiosa
Centre de Vidéo Danse de Bourgogne
.smooth
Centre de Vidéo Danse de Bourgogne
Fugante causal
Centre de Vidéo Danse de Bourgogne
Memento...Boltanski!
“Because one thing is stronger than us, namely the eternal progression of time, which never stops and inevitably leads to death.” (Christian Boltanski)
An artificial choreography is generated by stringing together and repeating 25 still images. A rhythm is formed by modules of natural and artificial sounds (water drops and the clatter of a machine). A whispering voice recites “The Burial of the Dead” from the poem “The Waste Land” by T.S. Eliot.
In the left part of the screen is a static image that at first glance resembles a sacred motif, perhaps an altar of some sort. In fact, it is a table with a bird’s nest in the light of a neon lamp. In it lie small bird skeletons.
Memento… Boltanski! ” is a vanitas dance on the futility of life.
- Eri Kassnel Director
- Eri Kassnel Producer
- Dominik Feistmantl Dancer
Making
The basis of this work are photographs in long exposure, which were taken during a dance rehearsal. Since the order of the photos was rearranged by me, the resulting “dance” has nothing to do with the original choreography. On an acoustic level, I proceeded in a similar way: from water dripping and machine noises, I selected individual elements and put them together to form a rhythm.
Sound
All sounds are made and edited by myself exclusively for this work.