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Dancer’s Calling
James Carlès
Ballet Actuel : Trans#lucide James Carlès et Natahlie Bard
James Carlès
Tragédie : extrait
Olivier Dubois
Echad me Yodea : extrait
James Carlès
Murmures : extrait
James Carlès
Méditation : extrait
James Carlès
Jazz in Marciac : extrait
James Carlès
Man’s world : extrait
James Carlès
De’orde : extrait
James Carlès
Toulouse/Londres/Tel Aviv : extrait
James Carlès
Minuit Saint-Pierre
James Carlès
Solo James Carlès
James Carlès
Fashion garage
James Carlès
Sortie de Résidence
James Carlès
Psaumes 02 sur France 3
James Carlès
Extrait Psaumes 2 France 3
James Carlès
Conférence dansée sur les danses noires
James Carlès
Toubela extrait 2
James Carlès
Toubela extrait 1
James Carlès
Le signe du mauvais sang extrait 5
James Carlès
Le signe du mauvais sang extrait 4
James Carlès
Mauvais sang extrait 2
James Carlès
Mauvais sang extrait 1
James Carlès
Maalah
James Carlès
Maalah extrait 3
James Carlès
Maalah extrait 2
James Carlès
Maalah extrait 1
James Carlès
L’odeur du père extrait 2
James Carlès
L’odeur du père
James Carlès
Jeux d’adultes extrait 7
James Carlès
Jeux d’adultes extrait 6
James Carlès
Jeux d’adultes extrait 5
James Carlès
Jeux d’adultes extrait 2
James Carlès
Jeux d’adultes extrait 1
James Carlès
Master Carmina Burana
James Carlès
Event Merce Cunningham au CDNC d’Angers
Robert Swinston , Merce Cunningham
R.E.S.E.T© : Exemple d’exercice
James Carlès
Conférence dansée d’Olivier Lefrançois
James Carlès
Interview de Léna Blou pour le centre chorégraphique James Carlès
Léna Blou
Psaumes 2 : Solo James Carlès
James Carlès
Teaser Psaume 01 : Holly Roller
James Carlès
Teaser de Psaume 02 : Happi la tristesse du Roi
James Carlès
Interview de Germaine Acogny pour le Centre chorégraphique James Carlès
Germaine Acogny
Layo Leyre et Jerky Jessy au CCJC
James Carlès
Conférence de Florence Boyer au Corpus Africana 2018
Florence Boyer
Conférence de Lewis Gordon au Corpus africana 2018
James Carlès
Conférence de Gordon, Benmklouf, Adewole, Ishangi, au Corpus africana 2018
Kehinde Ishangi
Conférence de Kehinde Ishangi au corpus africana 2018
Kehinde Ishangi
Conférence de James Carlès DCN 2018
James Carlès
Conférence de Jean-Christophe Goddard au corpus africana 2018
James Carlès
Ouverture du festival DCN 2018
James Carlès
Conférence de Lena Blou au corpus africana 2018
Léna Blou
Conférence de Bernardo Montet au corpus africana 2018
Bernardo Montet
Conférence de Funmi Adewole au corpus africana 2018
James Carlès
Conference by Germaine Acogny, James Carles and Zora Snake
Germaine Acogny , James Carlès , Zora Snake
Germaine Acogny, conférence Corpus Africana 2018
Germaine Acogny
Conférence de Françoise Vergès au festival DCN
James Carlès
Signe du mauvais sang
James Carlès
Toulouse
James Carlès
James Carlès au Centre chorégraphique d’Angers : interview et représentations filmée
James Carlès
Etude temporelle, par la formation professionnelle du CCJC
James Carlès
Corinne Lanselle et le Junior Ballet : extrait
James Carlès
Making of Holly Roller
Mark Tompkins
Maquillage : extrait 4
James Carlès
Maquillage : extrait 3
James Carlès
Maquillage : extrait 2
James Carlès
Maquillage : 1ére partie
James Carlès
Cécile ( work in progress )
James Carlès
Rui Horta et Adrien Ouaki pour le JBTO
Rui Horta , Adrien Ouaki
“Du blues au Swing, du Broadway Jazz au Street Jazz Talons” & “Oh Lord” de Géraldine Armstrong
James Carlès , Géraldine Armstrong
« Messe » de James Carlès – (Work in progress)
James Carlès
« Echad Mi Yodea » (extrait)
Ohad Naharin
Vêpres #2
James Carlès
Psaume #3
Ali Moini , James Carlès
James Carlès
Centre chorégraphique James Carlès
G2RC – Cie Artefact – DCN 2013
James Carlès
Didier Labbé Quartet – DCN 2013
James Carlès
CIe Pedro Pauwels – DCN 2013
Pedro Pauwels
SOS
James Carlès
I think
Centre chorégraphique James Carlès
Counterpoint
Centre chorégraphique James Carlès
Cabaret Heels
Centre chorégraphique James Carlès
The birth of “coupé décalé”
James Carlès
Coupé Décalé Act 2
James Carlès
Accumulation
Centre chorégraphique James Carlès
Kwa Zulu Natal
Centre chorégraphique James Carlès
Marciac
James Carlès
Signs and forms Perpetual Motion
Centre chorégraphique James Carlès
Look at me again!
Centre chorégraphique James Carlès
Boléro
Centre chorégraphique James Carlès
Sing Sing
James Carlès
Canon 1
Centre chorégraphique James Carlès
Arythmie
James Carlès
Echad Mi Yodea
Ohad Naharin
Psaumes Etudes 01 Extrait
James Carlès
Psaumes Etudes No 2 Excerpt 2
James Carlès
Opus 05 sur Mvett Camerounais revisité
James Carlès
Meditation
James Carlès
Opus 07
James Carlès
Dance with me Jazz in Marciac
James Carlès
Dance with me Extract 2 Mambo
James Carlès
A love suprême
James Carlès
Words of feet words of bodies
James Carlès
Ostrich
James Carlès , Asadata Dafora
Barrel House Blues
Katherine Dunham , Cleo Parker Robinson
Shango
Katherine Dunham , James Carlès
Mourner’s bench
James Carlès , Talley Beatty
Coupé Décalé
Robyn Orlin , James Carlès
Winter was hard
Centre chorégraphique James Carlès
Psalms Study n°2
James Carlès
Lagos
James Carlès
Study on rhythms and melodies
Centre chorégraphique James Carlès
Tomorrow
Centre chorégraphique James Carlès
Coupé Décalé studies Extract
James Carlès
Accumulation
James Carlès
Simon, my name is not Samuel ETO’O
Centre chorégraphique James Carlès
Hard Times Blues
Pearl Primus , James Carlès , Mary Waithe
Lobo
Vendetta Mathéa
Dear Lord
Rick Odums
Oh Lord
James Carlès , Géraldine Armstrong
Concerto 5.31
James Carlès , Carolyn Carlson
Dance with me
James Carlès
Trô’ma
James Carlès
Prologue for psalms
James Carlès
Coupé Décalé Act 2
James Carlès
Tam Tam
James Carlès , Féral Benga
Coupé Décalé Act 1 Extract 3
James Carlès
Coupé Décalé Act 1 Extract 2
Robyn Orlin
Coupé Décalé Act 1
Robyn Orlin
Les techniques de corps
James Carlès
Dear Lord Extract 2
Rick Odums
The Wedding [extract 1]
Pearl Primus , James Carlès
Barrel House Blues – Rehearsal
Katherine Dunham , Cleo Parker Robinson , James Carlès
Ostrich [extract 2]
James Carlès , Asadata Dafora
Transmission de Ostrich
James Carlès , Asadata Dafora
Mourner’s bench
James Carlès , Talley Beatty
Shango
Katherine Dunham , James Carlès
Trô'ma
TRÔ’MA questions with humor and poetry, the (too much large) pressure to which our high level sportsmen are often subjected.
THE PROJECT
The sport is synonymous with going beyond oneself, temerity, will and endurance. These values founded the mythology of the sport and nourished the companies from time immemorial. The sportsmen know at the cost of ceaseless efforts of the victories or the defeats. Their forces and their weaknesses are then subjected to the projectors. To overcome the fear, to overcome tiredness, to overcome the media pressure while remaining powerful, shining and irreproachable, such are the challenge. Marie-José Perec, phenomenon alive incarnating the supremacy speed to female, remains an emblematic figure of force, courage, will. Of a single and universal nature, it knew to defy the laws of the gods of the stage, champion of Europe, world champion, triples Olympic champion, her prize list so far remains unequalled. Marie-José Perec, left a sharp print in the universal collective memory. Its races inserted the public in its dreamed eminently real and palpable of a search of absolute victory. But which is the price to be paid for this fulgurating rise? It is through the image of this large athlete that the dancers interpreters Jean-Luc Mégange and Stella Moutou thus the creator video-sound Thyeks (Thierry Girard) will question the world of the high level sport where the body and the spirit are put at severely testeds. It is following a publicity campaign conducted in Guadeloupe that James Carlès met the interpreters of the project. It has them since follow-up and a little accompanied, then the desire was born to carry out with them an ambitious project with the assistance of Artchipel, National scene of Guadeloupe, the CDC the Winter ones and the Network Culture France (the Caribbean).
AUDIOVISUAL QUESTIONING
Creation is based around the concept of limps which represents lock up it. It is in the sense that the multi-media intervention questions the two following aspects. That of the psychology of the sportsman, in order to try to represent what occurs in its head, its stress, “its nervous connections”, taking up the idea to position in its limps cranial. The second aspect is the analogy with the other limps which is the television which is source of setting to the honor, of visibility, like pressure and aggressions media and financial through the brands which seek to be there represented via the image of the sportsmen of high levels. the diversion of the flashes with for objectives to exploit two aspects. The flash of the victory synonymous with success and that with the aggression with the paparazzis.