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Shango
Katherine Dunham , James Carlès
Hard Time Blues
Pearl Primus , James Carlès
Mourner’s bench
James Carlès , Talley Beatty
Transmission de Ostrich
James Carlès , Asadata Dafora
Ostrich [extract 2]
James Carlès , Asadata Dafora
Barrel House Blues – Rehearsal
Katherine Dunham , Cleo Parker Robinson , James Carlès
The Wedding [extract 1]
Pearl Primus , James Carlès
Dear Lord Extract 2
Rick Odums
Les techniques de corps
James Carlès
Boots Dance [2009]
James Carlès , Walter Nicks
Coupé Décalé Act 1
Robyn Orlin
Coupé Décalé Act 1 Extract 2
Robyn Orlin
Coupé Décalé Act 1 Extract 3
James Carlès
Tam Tam
James Carlès , Féral Benga
Coupé Décalé Act 2
James Carlès
Prologue for psalms
James Carlès
Trô’ma
James Carlès
Dance with me
James Carlès
Get Higher
Wayne Barbaste , Géraldine Armstrong
Concerto 5.31
James Carlès , Carolyn Carlson
Boots Dance
James Carlès , Walter Nicks
Oh Lord [integral]
James Carlès , Géraldine Armstrong
Oh Lord
James Carlès , Géraldine Armstrong
Dear Lord
Rick Odums
Lobo
Vendetta Mathéa
Hard Times Blues
Pearl Primus , James Carlès , Mary Waithe
Coat (The)
Numeridanse
body of the shave (The)
Numeridanse
Simon, my name is not Samuel ETO’O
Centre chorégraphique James Carlès
Accumulation
James Carlès
Coupé Décalé studies Extract
James Carlès
Tomorrow
Centre chorégraphique James Carlès
Study on rhythms and melodies
Centre chorégraphique James Carlès
Lagos
James Carlès
Toulouse London Tel Aviv
James Carlès
Psalms Study n°2
James Carlès
Winter was hard
Centre chorégraphique James Carlès
Coupé Décalé
Robyn Orlin , James Carlès
Wedding (The)
Pearl Primus , James Carlès , Mary Waithe
Mourner’s bench
James Carlès , Talley Beatty
Shango
Katherine Dunham , James Carlès
Barrel House Blues
Katherine Dunham , Cleo Parker Robinson
Ostrich
James Carlès , Asadata Dafora
Words of feet words of bodies
James Carlès
A love suprême
James Carlès
Dance with me Extract 2 Mambo
James Carlès
Dance with me Jazz in Marciac
James Carlès
Opus 07
James Carlès
Meditation
James Carlès
Opus 05 sur Mvett Camerounais revisité
James Carlès
Psaumes Etudes No 2 Excerpt 2
James Carlès
Psaumes Etudes 01 Extrait
James Carlès
Insoumises
Coraline Lamaison
Echad Mi Yodea
Ohad Naharin
Arythmie
James Carlès
Canon 1
Centre chorégraphique James Carlès
Sing Sing
James Carlès
Boléro
Centre chorégraphique James Carlès
Man’s World
Centre chorégraphique James Carlès
Look at me again!
Centre chorégraphique James Carlès
Signs and forms Perpetual Motion
Centre chorégraphique James Carlès
Marciac
James Carlès
Kwa Zulu Natal
Centre chorégraphique James Carlès
Accumulation
Centre chorégraphique James Carlès
Meditations
James Carlès
Coupé Décalé Act 2
James Carlès
The birth of “coupé décalé”
James Carlès
Cabaret Heels
Centre chorégraphique James Carlès
Counterpoint
Centre chorégraphique James Carlès
I think
Centre chorégraphique James Carlès
Murmurings
Centre chorégraphique James Carlès
Political Mother
Centre chorégraphique James Carlès
SOS
James Carlès
CIe Pedro Pauwels – DCN 2013
Pedro Pauwels
Didier Labbé Quartet – DCN 2013
James Carlès
G2RC – Cie Artefact – DCN 2013
James Carlès
Political Mother
Hofesh Shechter
Coupe Décale
Centre chorégraphique James Carlès
Prologue pour Psaumes
Centre chorégraphique James Carlès
Trô’Ma
Centre chorégraphique James Carlès
Sacre du Printemps
Centre chorégraphique James Carlès
Holly Roller
Mark Tompkins , James Carlès
Psaume #3
Ali Moini , James Carlès
Le Centre Chorégraphique James Carlès – rentrée 2017
James Carlès
Vêpres #2
James Carlès
« Echad Mi Yodea » (extrait)
Ohad Naharin
« Lied Ballet » de Thomas Lebrun – CCN Tours (extrait)
Thomas Lebrun
« Messe » de James Carlès – (Work in progress)
James Carlès
Concert MEIWAY (200% Zoblazo) au Métrononum de Toulouse (AFRO BEATZ)
James Carlès
« Political Mother » de Hofesh Shechter (extrait)
Hofesh Shechter
« Event Merce Cunningham » – Compagnie du CNDC Angers
Merce Cunningham
« Made to measure » de Rui Horta (extrait)
Rui Horta
« Sans Titre » de Adrien Ouaki
Adrien Ouaki
Mamela and The Kids de Soweto (Danses Urbaines : Hip Hop et Panstula)
James Carlès
“Messe” de James Carlès et “Echad Mi Yodea” de Ohad Naharin
Ohad Naharin , James Carlès
“Respire” – solo de James carlès – Gospel Rivers #2 avec Emmanuel Pi Djob + “Lied Ballet” de Thomas Lebrun – CCN Tours (extrait)
Thomas Lebrun , James Carlès
“Du blues au Swing, du Broadway Jazz au Street Jazz Talons” & “Oh Lord” de Géraldine Armstrong
James Carlès , Géraldine Armstrong
Etudes pour “Psaumes #2” et “Political Mother” de Hofesh Shechter
Hofesh Shechter , James Carlès
“Arythmie” et Event Merce Cunningham
Merce Cunningham , James Carlès
Gospel River #3
Emmanuel Pi Djob
Rui Horta et Adrien Ouaki pour le JBTO
Rui Horta , Adrien Ouaki
Carmina Burana d’après l’oeuvre de Carl Orff
James Carlès
“Hard Time Blues” et “Psaumes #1”
Mark Tompkins , Pearl Primus
“Tragedie extended” d’Olivier Dubois
Olivier Dubois
“Initiation hip-hop” de Saint-Louis Rhino, “Toulouse/Londres/Tel-Aviv, A-R” de James Carlès, “Dear Lord” de Rick Odums
James Carlès , Rick Odums , Saint-Louis rhino
Cécile ( work in progress )
James Carlès
R.E.S.E.T© 01
James Carlès
R.E.S.E.T© Partie 2
James Carlès
R.E.S.E.T© : Exemple d’exercice
James Carlès
R.E.S.E.T© 3
James Carlès
R.E.S.E.T© English teaser
James Carlès
James Carlès Danse © 3 ArtTV
James Carlès
James Carlès danse ©
James Carlès
James Carlès Dance © EN
James Carlès
Masterclass Ingeborg 1
Ingeborg Liptay
Masterclass Ingeborg 2
James Carlès
Masterclass Ingeborg 3
James Carlès
Masterclass Robert Swinston ( technique Merce Cunnigham)
Robert Swinston
Masterclass Robert Swinston 2 ( technique Merce Cunnigham)
James Carlès
Masterclass Robert Swinston 3 ( technique Merce Cunnigham)
Robert Swinston
Stage été 2020 : Angèle Valéry
James Carlès
Montage d’interviews DCN
James Carlès
Maquillage : 1ére partie
James Carlès
Maquillage : extrait 2
James Carlès
Maquillage : extrait 3
James Carlès
Maquillage : extrait 4
James Carlès
Minuit Saint-Pierre des cuisines : extrait 1
Keïta Fodéba , James Carlès
Jeux d’adultes : extrait 1
James Carlès
Jeux d’adultes : extrait 2
James Carlès
Jeux d’adultes : extrait 3
James Carlès
Day 2 – Plan 3 : extrait
James Carlès
Making of Holly Roller
Mark Tompkins
FINDING EROS – Love At Last You Have Found Me
James Carlès
Finding Eros – Love Me or Leave Me
James Carlès
Batsheva extrait 1
Ohad Naharin
Batsheva extrait 2
Ohad Naharin
Bolero G2RC : Junior Ballet
James Carlès
Adoration de la terre
James Carlès
Corinne Lanselle et le Junior Ballet : extrait
James Carlès
Cours de Layo Leyre, stage d’automne 2019
James Carlès
Cours de Kristina Alleyne, stage d’automne 2019 CCJC
James Carlès
Cours de Marcus Jarrel Williams, stage d’automne 2019 au CCJC
James Carlès
Etudes temporelles sur l’envol
James Carlès
De’orde
James Carlès
De’orde, par la formation professionnelle du CCJC
James Carlès
Etude temporelle, par la formation professionnelle du CCJC
James Carlès
James Carlès au Centre chorégraphique d’Angers : interview et représentations filmée
James Carlès
Etude temporelle sur l’envol, par la formation professionnelle du CCJC
James Carlès
Toulouse
James Carlès
Signe du mauvais sang
James Carlès
Interview de James Carlès à Angers
James Carlès
Toubela : première à Altigone
James Carlès
Danses et continents noirs 2013 : rencontres artistiques, danse et pratique amateur
James Carlès
Festival danses et continents noirs 2013 : musique et pratique amateur
James Carlès
Trô’Ma : Teaser et making-of
James Carlès
Corpus Africana : Conférence de James Carlès
James Carlès
Trô'ma
TRÔ’MA questions with humor and poetry, the (too much large) pressure to which our high level sportsmen are often subjected.
THE PROJECT
The sport is synonymous with going beyond oneself, temerity, will and endurance. These values founded the mythology of the sport and nourished the companies from time immemorial. The sportsmen know at the cost of ceaseless efforts of the victories or the defeats. Their forces and their weaknesses are then subjected to the projectors. To overcome the fear, to overcome tiredness, to overcome the media pressure while remaining powerful, shining and irreproachable, such are the challenge. Marie-José Perec, phenomenon alive incarnating the supremacy speed to female, remains an emblematic figure of force, courage, will. Of a single and universal nature, it knew to defy the laws of the gods of the stage, champion of Europe, world champion, triples Olympic champion, her prize list so far remains unequalled. Marie-José Perec, left a sharp print in the universal collective memory. Its races inserted the public in its dreamed eminently real and palpable of a search of absolute victory. But which is the price to be paid for this fulgurating rise? It is through the image of this large athlete that the dancers interpreters Jean-Luc Mégange and Stella Moutou thus the creator video-sound Thyeks (Thierry Girard) will question the world of the high level sport where the body and the spirit are put at severely testeds. It is following a publicity campaign conducted in Guadeloupe that James Carlès met the interpreters of the project. It has them since follow-up and a little accompanied, then the desire was born to carry out with them an ambitious project with the assistance of Artchipel, National scene of Guadeloupe, the CDC the Winter ones and the Network Culture France (the Caribbean).
AUDIOVISUAL QUESTIONING
Creation is based around the concept of limps which represents lock up it. It is in the sense that the multi-media intervention questions the two following aspects. That of the psychology of the sportsman, in order to try to represent what occurs in its head, its stress, “its nervous connections”, taking up the idea to position in its limps cranial. The second aspect is the analogy with the other limps which is the television which is source of setting to the honor, of visibility, like pressure and aggressions media and financial through the brands which seek to be there represented via the image of the sportsmen of high levels. the diversion of the flashes with for objectives to exploit two aspects. The flash of the victory synonymous with success and that with the aggression with the paparazzis.