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Shango
Katherine Dunham , James Carlès
Hard Time Blues
Pearl Primus , James Carlès
Mourner’s bench
James Carlès , Talley Beatty
Transmission de Ostrich
James Carlès , Asadata Dafora
Ostrich [extract 2]
James Carlès , Asadata Dafora
Barrel House Blues – Rehearsal
Katherine Dunham , Cleo Parker Robinson , James Carlès
The Wedding [extract 1]
Pearl Primus , James Carlès
Dear Lord Extract 2
Rick Odums
Les techniques de corps
James Carlès
Boots Dance [2009]
James Carlès , Walter Nicks
Coupé Décalé Act 1
Robyn Orlin
Coupé Décalé Act 1 Extract 2
Robyn Orlin
Coupé Décalé Act 1 Extract 3
James Carlès
Tam Tam
James Carlès , Féral Benga
Coupé Décalé Act 2
James Carlès
Prologue for psalms
James Carlès
Trô’ma
James Carlès
Dance with me
James Carlès
Get Higher
Wayne Barbaste , Géraldine Armstrong
Concerto 5.31
James Carlès , Carolyn Carlson
Boots Dance
James Carlès , Walter Nicks
Oh Lord [integral]
James Carlès , Géraldine Armstrong
Oh Lord
James Carlès , Géraldine Armstrong
Dear Lord
Rick Odums
Lobo
Vendetta Mathéa
Hard Times Blues
Pearl Primus , James Carlès , Mary Waithe
Coat (The)
Numeridanse
body of the shave (The)
Numeridanse
Simon, my name is not Samuel ETO’O
Centre chorégraphique James Carlès
Accumulation
James Carlès
Coupé Décalé studies Extract
James Carlès
Tomorrow
Centre chorégraphique James Carlès
Study on rhythms and melodies
Centre chorégraphique James Carlès
Lagos
James Carlès
Toulouse London Tel Aviv
James Carlès
Psalms Study n°2
James Carlès
Winter was hard
Centre chorégraphique James Carlès
Coupé Décalé
Robyn Orlin , James Carlès
Wedding (The)
Pearl Primus , James Carlès , Mary Waithe
Mourner’s bench
James Carlès , Talley Beatty
Shango
Katherine Dunham , James Carlès
Barrel House Blues
Katherine Dunham , Cleo Parker Robinson
Ostrich
James Carlès , Asadata Dafora
Words of feet words of bodies
James Carlès
A love suprême
James Carlès
Dance with me Extract 2 Mambo
James Carlès
Dance with me Jazz in Marciac
James Carlès
Opus 07
James Carlès
Meditation
James Carlès
Opus 05 sur Mvett Camerounais revisité
James Carlès
Psaumes Etudes No 2 Excerpt 2
James Carlès
Psaumes Etudes 01 Extrait
James Carlès
Insoumises
Coraline Lamaison
Echad Mi Yodea
Ohad Naharin
Arythmie
James Carlès
Canon 1
Centre chorégraphique James Carlès
Sing Sing
James Carlès
Boléro
Centre chorégraphique James Carlès
Man’s World
Centre chorégraphique James Carlès
Look at me again!
Centre chorégraphique James Carlès
Signs and forms Perpetual Motion
Centre chorégraphique James Carlès
Marciac
James Carlès
Kwa Zulu Natal
Centre chorégraphique James Carlès
Accumulation
Centre chorégraphique James Carlès
Meditations
James Carlès
Coupé Décalé Act 2
James Carlès
The birth of “coupé décalé”
James Carlès
Cabaret Heels
Centre chorégraphique James Carlès
Counterpoint
Centre chorégraphique James Carlès
I think
Centre chorégraphique James Carlès
Murmurings
Centre chorégraphique James Carlès
Political Mother
Centre chorégraphique James Carlès
SOS
James Carlès
CIe Pedro Pauwels – DCN 2013
Pedro Pauwels
Didier Labbé Quartet – DCN 2013
James Carlès
G2RC – Cie Artefact – DCN 2013
James Carlès
Political Mother
Hofesh Shechter
Coupe Décale
Centre chorégraphique James Carlès
Prologue pour Psaumes
Centre chorégraphique James Carlès
Trô’Ma
Centre chorégraphique James Carlès
Sacre du Printemps
Centre chorégraphique James Carlès
Holly Roller
Mark Tompkins , James Carlès
Psaume #3
Ali Moini , James Carlès
Le Centre Chorégraphique James Carlès – rentrée 2017
James Carlès
Vêpres #2
James Carlès
« Echad Mi Yodea » (extrait)
Ohad Naharin
« Lied Ballet » de Thomas Lebrun – CCN Tours (extrait)
Thomas Lebrun
« Messe » de James Carlès – (Work in progress)
James Carlès
Concert MEIWAY (200% Zoblazo) au Métrononum de Toulouse (AFRO BEATZ)
James Carlès
« Political Mother » de Hofesh Shechter (extrait)
Hofesh Shechter
« Event Merce Cunningham » – Compagnie du CNDC Angers
Merce Cunningham
« Made to measure » de Rui Horta (extrait)
Rui Horta
« Sans Titre » de Adrien Ouaki
Adrien Ouaki
Mamela and The Kids de Soweto (Danses Urbaines : Hip Hop et Panstula)
James Carlès
“Messe” de James Carlès et “Echad Mi Yodea” de Ohad Naharin
Ohad Naharin , James Carlès
“Respire” – solo de James carlès – Gospel Rivers #2 avec Emmanuel Pi Djob + “Lied Ballet” de Thomas Lebrun – CCN Tours (extrait)
Thomas Lebrun , James Carlès
“Du blues au Swing, du Broadway Jazz au Street Jazz Talons” & “Oh Lord” de Géraldine Armstrong
James Carlès , Géraldine Armstrong
Etudes pour “Psaumes #2” et “Political Mother” de Hofesh Shechter
Hofesh Shechter , James Carlès
“Arythmie” et Event Merce Cunningham
Merce Cunningham , James Carlès
Gospel River #3
Emmanuel Pi Djob
Rui Horta et Adrien Ouaki pour le JBTO
Rui Horta , Adrien Ouaki
Carmina Burana d’après l’oeuvre de Carl Orff
James Carlès
“Hard Time Blues” et “Psaumes #1”
Mark Tompkins , Pearl Primus
“Tragedie extended” d’Olivier Dubois
Olivier Dubois
“Initiation hip-hop” de Saint-Louis Rhino, “Toulouse/Londres/Tel-Aviv, A-R” de James Carlès, “Dear Lord” de Rick Odums
James Carlès , Rick Odums , Saint-Louis rhino
Cécile ( work in progress )
James Carlès
R.E.S.E.T© 01
James Carlès
R.E.S.E.T© Partie 2
James Carlès
R.E.S.E.T© : Exemple d’exercice
James Carlès
R.E.S.E.T© 3
James Carlès
R.E.S.E.T© English teaser
James Carlès
James Carlès Danse © 3 ArtTV
James Carlès
James Carlès danse ©
James Carlès
James Carlès Dance © EN
James Carlès
Masterclass Ingeborg 1
Ingeborg Liptay
Masterclass Ingeborg 2
James Carlès
Masterclass Ingeborg 3
James Carlès
Masterclass Robert Swinston ( technique Merce Cunnigham)
Robert Swinston
Masterclass Robert Swinston 2 ( technique Merce Cunnigham)
James Carlès
Masterclass Robert Swinston 3 ( technique Merce Cunnigham)
Robert Swinston
Stage été 2020 : Angèle Valéry
James Carlès
Montage d’interviews DCN
James Carlès
Maquillage : 1ére partie
James Carlès
Maquillage : extrait 2
James Carlès
Maquillage : extrait 3
James Carlès
Maquillage : extrait 4
James Carlès
Minuit Saint-Pierre des cuisines : extrait 1
Keïta Fodéba , James Carlès
Jeux d’adultes : extrait 1
James Carlès
Jeux d’adultes : extrait 2
James Carlès
Jeux d’adultes : extrait 3
James Carlès
Day 2 – Plan 3 : extrait
James Carlès
Making of Holly Roller
Mark Tompkins
FINDING EROS – Love At Last You Have Found Me
James Carlès
Finding Eros – Love Me or Leave Me
James Carlès
Batsheva extrait 1
Ohad Naharin
Batsheva extrait 2
Ohad Naharin
Bolero G2RC : Junior Ballet
James Carlès
Adoration de la terre
James Carlès
Corinne Lanselle et le Junior Ballet : extrait
James Carlès
Cours de Layo Leyre, stage d’automne 2019
James Carlès
Cours de Kristina Alleyne, stage d’automne 2019 CCJC
James Carlès
Cours de Marcus Jarrel Williams, stage d’automne 2019 au CCJC
James Carlès
Etudes temporelles sur l’envol
James Carlès
De’orde
James Carlès
De’orde, par la formation professionnelle du CCJC
James Carlès
Etude temporelle, par la formation professionnelle du CCJC
James Carlès
James Carlès au Centre chorégraphique d’Angers : interview et représentations filmée
James Carlès
Etude temporelle sur l’envol, par la formation professionnelle du CCJC
James Carlès
Toulouse
James Carlès
Signe du mauvais sang
James Carlès
Interview de James Carlès à Angers
James Carlès
Toubela : première à Altigone
James Carlès
Danses et continents noirs 2013 : rencontres artistiques, danse et pratique amateur
James Carlès
Festival danses et continents noirs 2013 : musique et pratique amateur
James Carlès
Trô’Ma : Teaser et making-of
James Carlès
Corpus Africana : Conférence de James Carlès
James Carlès
Prologue for psalms
Prologue for psalms is a questioning of the choreographer around crowned. Mixture of dance, music and video.
CONCERNING THE PSALMS PROJECT
With “Psalms”, I would like to traverse and “to seize” the multiple directions of the relation such as they are played today in the company. What is what crowned? Is What crowned today? Is Why it crowned? How the direction of crowned metamorphose T does starting from the personal or collective trajectories? Is Which my approach of crowned? What is crowned for me? What is this I remove the sacred character from? Is Which my sacrileges? As many questions which animate me. I test with this stage of my personal course and professional the desire to write contemporary psalms. It will not be a poetic verb sung, but a poetic flow not danced, on the relation (what us “Re” binds).
James Carlès _Art director
CONCERNING THE PART
Prologue for Psalms, is a questioning of the Choreographer around crowned. The Baroque Orchestra of Montauban, under the direction of Jean-Marc Andrieu, gives an original and powerful interpretation of the music of the Knight St George. On these notes, the particular scenic space created for the occasion is invested with force and singularity by the 3 interpreters. The creation of the video maker/plastician Elise Perrier brings additional reading levels, at the same time ludic, shifted and responsible for a strong symbolic system. This part echoes and pays homage to the plastics technician franco-burkinabé Kelly Kabré whose work was founded on the creation of works of art from waste recycled and also with regretted Doctor Jean Emmanuel Kamtchueng (pharmacist free-Cameronian and ex president of the House from Africa in Toulouse) who made me discover works and the character the Knight of Saint George. The Music of the Knight of Saint George, anchored well in her time, releases a rhythmic energy basically related to the dance. In the version “alive Music” the orchestra Passions is composed of 4 musicians for the interpretation of Quartets of the Knight of Saint George (2 violins, 1 viola, 1 violoncello). James Carlès CREDITS
Part of James Carlès for 3 Dancers with 5 musicians – Durée: 50 minutes Distribution at the creation: Choreography: James CarlèsInterpreters: Shihya Peng, Aurore Delahaye, Pascal Beugre-Tellier
Musiques: Knight of Saint-GeorgeMusical direction: Jean-Marc AndrieuOrchestrates: Jean-Marc Andrieu (Flute à nozzle)Liv Heym (Violin)Nirina Betoto (Violin)Jennifer Lutter (viola)Marie-Madeleine Mille (Violoncello)
Videeo maker and Plastician: Elise Perrier
Lights creation: Arnaud Schulz