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Finale du Concours de Jeunes Chorégraphes – 1ère édition
Thierry Malandain
Cinderella
Thierry Malandain
La Belle et la Bête – Le Bal – Ballet T
Thierry Malandain
Estro
Thierry Malandain
La Chambre d’amour
Thierry Malandain
Pulcinella
Thierry Malandain
Don Juan
Thierry Malandain
Le Sang des étoiles
Thierry Malandain
Ouverture cubaine
Thierry Malandain
Lucifer
Thierry Malandain
Pierre de Lune
Thierry Malandain
Casse Noisette
Thierry Malandain
Week-end mouvementé 2012
Thierry Malandain
Roméo & Juliette
Thierry Malandain
Rendez-vous sur le quai de la Gare #1 (2012)
Thierry Malandain
Interview Malandain & la musique
Thierry Malandain
Le Spectre de la rose
Thierry Malandain
Rendez-vous sur le quai de la Gare #2
Thierry Malandain
Magifique
Thierry Malandain
Créatures
Thierry Malandain
Une Dernière chanson
Thierry Malandain
Boléro
Thierry Malandain
Blé Noir
Thierry Malandain
L’après-midi d’un faune
Thierry Malandain
Ballet Mécanique
Thierry Malandain
Bal Solitude
Thierry Malandain
L’Amour sorcier
Thierry Malandain
Les Biches
Thierry Malandain
La Mort du cygne [extraits]
Thierry Malandain
Thierry Malandain au Centre national de la danse
Thierry Malandain
Malandain Ballet Biarritz à Paris Quartier d’Eté
Thierry Malandain
Thierry Malandain au Centre national de la danse
As part of the Franco-Russian year, the Centre National de la Danse presented, from January 6th to April 6th, an exhibition entitled Dans le sillage des Ballets russes (1929-1959), implemented by Claire Rousier, Florence Poudru and Agnès Dahan. On this occasion, the Malandain Ballet Biarritz performed from March 10th to 12th 2010 in the Grand Studio of the Centre National de la Danse.
“To take up root in the history of dance, my work borrows from the choreographic heritage, as to seek to understand others, is to wish to know yourself better. I have thus revisited, while adding to them the raw material of life, works formerly created by Noverre, Angiolini, Vigano, Petipa, Mariquita, Fokine, Nijinska, Massin and Lifar. A ballet is revived when the issue that gave rise to it persists or becomes timely once again. The exhibition Dans le Sillage des Ballets russes (1929-1959) allows a presentation in revived versions of L’Après-midi d’un faune (The Afternoon of a Faun), la Mort du cygne (The Dying Swan), and two extracts from Portrait de l’Infante, a ballet commissioned in 1923 from Maurice Ravel by Sonia Pavlov, a dancer at the Opéra Comique”.