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Finale du Concours de Jeunes Chorégraphes – 1ère édition
Thierry Malandain
Cinderella
Thierry Malandain
La Belle et la Bête – Le Bal – Ballet T
Thierry Malandain
Estro
Thierry Malandain
La Chambre d’amour
Thierry Malandain
Pulcinella
Thierry Malandain
Don Juan
Thierry Malandain
Le Sang des étoiles
Thierry Malandain
Ouverture cubaine
Thierry Malandain
Lucifer
Thierry Malandain
Pierre de Lune
Thierry Malandain
Casse Noisette
Thierry Malandain
Week-end mouvementé 2012
Thierry Malandain
Roméo & Juliette
Thierry Malandain
Rendez-vous sur le quai de la Gare #1 (2012)
Thierry Malandain
Interview Malandain & la musique
Thierry Malandain
Le Spectre de la rose
Thierry Malandain
Rendez-vous sur le quai de la Gare #2
Thierry Malandain
Magifique
Thierry Malandain
Créatures
Thierry Malandain
Une Dernière chanson
Thierry Malandain
Boléro
Thierry Malandain
Blé Noir
Thierry Malandain
L’après-midi d’un faune
Thierry Malandain
Ballet Mécanique
Thierry Malandain
Bal Solitude
Thierry Malandain
L’Amour sorcier
Thierry Malandain
Les Biches
Thierry Malandain
La Mort du cygne [extraits]
Thierry Malandain
Thierry Malandain au Centre national de la danse
Thierry Malandain
Malandain Ballet Biarritz à Paris Quartier d’Eté
Thierry Malandain
Créatures
There were many nights, many mornings, then one day the first man was born a dancer. Alone, he would spin, with his arms extended towards no one else, then he was given the first woman as a partner…
There were many nights, many mornings, then one day the first man was born a dancer. Alone, he would spin, with his arms extended towards no one else, then he was given the first woman as a partner. Dancing together was nicer, but he soon wished to create new movements. To answer it, they invited other creatures to join them. This is the way humanity multiplied. The time passing, they qualified the dance of baroque, romantic and classic. Until the moment when the temptation of a more liberated dance blew in the veils of a enchanting alma. As she turned into a flower, a butterfly, a flame or a storm, Loïe Fuller fascinated them with her “Serpentine Dance”. Joining her, other artists from the New World brought about new aspirations : later, there was Doris Humphrey, for whom “falling and starting again” were the very essence of movement. A new horizon lay ahead of Ballet. Adam and Eve went towards it, leaving Paradise behind. On their way, they learned that they would, from then on, dance by the sweat of their brow and that pain would be part of the creation of new steps. That is when Cain pounced on Abel…
Thierry Malandain