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Allegria
Kader Attou
Passagers
Shana Carroll
Magma
Christian Rizzo , Andrés Marin , Marie-Agnès Gillot
Casse-Noisette
Vassili Vainonen
Casse-Noisette
Lev Ivanov , Vassili Vainonen
Lady Magma
Oona Doherty
aSH
Aurélien Bory , Shantala Shivalingappa
Pasionaria
Marcos Morau
Play the Darkness
Yuichi Yokoï
Compagnie Mpta – Carnets de création
Mathurin Bolze
LOVETRAIN2020
Emanuel Gat
Extension
Amala Dianor , Junior Bosila
Point Zéro
Amala Dianor
Wo-Man
Amala Dianor
Zéphyr
Mourad Merzouki
Devant la Maison
Denis Plassard
Gloria
José Montalvo
Parole d’artiste : Jeanne Brouaye
Jeanne Brouaye
Zugzwang
Mathieu Bleton , Mosi Espinoza , Jonas Julliand , Karim Messaoudi , Cyril Pernot
One More Thing
Adi Boutrous
Elisabeth gets her way
Jan Martens
Hôtel Bellevue
Thomas Guerry
Avant les gens mouraient
(LA)HORDE and Céline Signoret
Publique
Mathilde Monnier
Danse des éléments
Cecilia Bengolea
Möbius &
Dai Jian , Xiao Xiangrong
État des lieux
Thomas Demay , Julia Moncla , Paul Changarnier
Näss
Fouad Boussouf
Placement libre
Thomas Demay , Julia Moncla
Umwelt
Maguy Marin
Concerto
Lucinda Childs
Parts
Honji Wang , Sébastien Ramirez
Tempo Vicino
Lucinda Childs
One of Four Periods in Time (Ellipsis)
Tânia Carvalho
Mood
Lasseindra Ninja
Lazarus
Oona Doherty
any attempt will end in crushed bodies and shattered bones
Jan Martens
Ineffable
Jann Gallois
L’Oiseau de feu
Thierry Malandain
Le Sacre du printemps
Thierry Malandain , Martin Harriague
Le Choeur
Fanny de Chaillé
Graces
Silvia Gribaudi
Body Concert
Kim Boram
Glottis
Flora Détraz
VanThorhout
Alexander Vantournhout
førm Inførms
Marco Da Silva Ferreira
Mythologies
Angelin Preljocaj
Le rapport au sol selon Tiago Guedes, avec le soutien de Harlequin Floors
Tiago Guedes
ab [intra]
Rafael Bonachela
Neighbours
Brigel Gjoka , Rauf “RubberLegz” Yasit
Le cours des choses
Christian Ubl
My Way
Rubén Julliard
Du bout des doigts
Gabriella Iacono , Grégory Grosjean
Jungle Book Reimagined
Akram Khan
Jungle Book Reimagined
Akram Khan
(La bande à) LAURA
Gaëlle Bourges
Working Title
Trisha Brown
For M.G: The Movie
Trisha Brown
NYST
Mellina Boubetra
Autoportrait à ma grand-mère
Patricia Allio
Elles disent
Nach
Deux mille vingt trois
Maguy Marin
Tumulus
François Chaignaud , Geoffroy Jourdain
La Ciudad de los Otros
Rafael Palacios
Contes Immoraux Partie 1 : Maison Mère
Phia Ménard
Toi moi, Tituba…
Dorothée Munyaneza
Reface
Chandra Grangean , Lise Messina
Témoin
Saïdo Lehlouh
takemehome
Dimitri Chamblas
WELCOME
Joachim Maudet
The Köln Concert
Trajal Harrell
Voice Noise
Jan Martens
Erato
Femke Gyselinck
Torpeur
Angelin Preljocaj
Noces
Angelin Preljocaj
Annonciation
Angelin Preljocaj
Impasse
Mufutau Yusuf
DUB
Amala Dianor
Point Zéro
It is sometimes difficult to know where we are going, but we do know where we come from. Dance, street dance, hip hop and contemporary dance are our DNA. We have fully experienced these differing vocabularies which have redefined us as artists, each and every time.
Point Zéro is above all, an invitation to dance — with two of my friends, both well-known dancers. It is about experiencing together the journey each of us have taken, through the various aesthetics which are the landmarks of that journey. Johanna, Mathias and I all began doing street dance, then each of us chose our own paths, as it were, filled with personal encounters, sharing, a hybridization of ideas. Point Zero is literally the central, chosen place from which all distances are calculated. What is the road we have traveled on during all these years of research? In France our point zero is the plaza in front of the great Cathedral, Notre Dame de Paris, in a city which is also one of the centers of hip hop culture. Coincidentally, there was a terrible fire at Notre Dame this year, creating a wave of emotion and sadness.
What remains of our cathedral of urban dancers, of our original chapels? Are they still intact after so many years? Are we still able to go back there, to draw from this place to create, transmit, move together? For Mathias the answer is a firm ‘yes’ – he never gave up his signature dance, a fusion of street dance and hip hop. There is however the question of the aging of the body, which affects somewhat the physical intensity of his dance vocabulary. With Johanna, I am interested in exploring not only finding a balance between the multiple techniques which coalesce in her dancing, but also the space where the brute tonicity of Mathias meets the fluidity and flow which I have worked with for so many years.
Point Zéro is also an opportunity to begin addressing the power relationship I intend to explore in my next group work, planned for 2022. For many years I have looked to prioritize a relationship of caring, based on personal encounter and experiencing things together. An honorable choice but an idea which runs contrary to the reality of current reltationships. Is otherness also a subtle game of power? How can we remain authentic? What am I willing to give up? What relationship can be built if we are trying to create it together while remaining faithful to our individualism?
Source: Amala Dianor
More information: amaladianor.com