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Nazaria Tooj
Intonzli
Phulmani Nyanga
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Soraya Thomas
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Ocean Moves – Saison 1 – Épisode 4_Keeping Time
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Vagabundus
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Claudio Rabe
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Si Pina m’avait demandé..
Marion Schrotzenberger
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Marion Schrotzenberger
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“Si Pina m’avait demandé…” de Marion Schrotzenberger
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PINA, YOU and ME….
Lalanbik CDCN océan Indien
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Marianne Louise Lebon
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Edith Chateau
Abstract – un monde
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Harivola Rakotondrasoa
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Nube y Viento
Marion Schrotzenberger
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Luc Maubon
Poésie du geste Traces
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Eric Languet, une pratique chorégraphique intégrée
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Éric Languet, chorégraphe
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Eric Languet, une rencontre avec la danse intégrée
Éric Languet
Impair
Jérôme Brabant
Emergency
Jérôme Brabant
Heimat
Jérôme Brabant
Somewhere, out there, life was screaming
Éric Languet
Priyèr’ Sï Priyèr’
Didier Boutiana
Reflex
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Ma vie sans bal
Éric Languet
Fragments of an uncertain body
Éric Languet
Priyèr’ Sï Priyèr’ – focus
Didier Boutiana
Kaz Bourbon – focus
Nadjani Bulin
Mitsaka Festival – focus
Lalanbik
Reflex – focus
Didier Boutiana
Impair – focus
Jérôme Brabant
Kafrine – focus
Nadjani Bulin
Murmur – focus
Sylvie Robert
Territoires
Jeff Ridjali
Heimat – focus
Jérôme Brabant
Couleurs de femmes
Yun Chane
Emergency – Focus
Jérôme Brabant
Kafrine - focus
Nadjani Bulin is choreographer and performer for Kafrine.
Her creative processes were nurtured by discussions with Yuval Pick, Director of the CCN at Rillieux-la-Pape, during the ECUMe* project.
Nadjani Bulin is choreographer and performer for Kafrine.
Her creative processes were nurtured by discussions with Yuval Pick, Director of the CCN at Rillieux-la-Pape, during the ECUMe* project.
The artist worked on “Kafrine”, representing the black woman, the black slave: the “negress”. This is a true technical and aesthetic challenge, as she chose to work with the black body, on a stage where the light is adjusted to obtain a chiaroscuro effect. Nadjani Bulin deals with the invisibility of the black body just like the individual who is victim to the new social violence, reduced to a silence that no one seems to care about. The audience must pay attention to the movements that seem to emerge. To capture scenes in the darkness, she uses a special camera that can recreate the movements.
The choreographer started her research into movement by tying the feet together. She split the body in two horizontally. The top: chest, head and arms, and the bottom: legs and feet, are asymmetrical. This approach reveals a “half being”, where the movement of the bare chest, with the solar plexus exposed, takes on a frontal posture. At the same time the feet are anchored to the ground and do not move. She worked on the material of a body prevented from moving by referring to the plans of slave ships, where slaves were packed in during sea crossings. When the legs are involved they still have their compact appearance.
ECUMe (Expérience Chorégraphique Ultra-Marine) devised and organised by the Departmental Theatres of Reunion Island.
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