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Nazaria Tooj
Intonzli
Phulmani Nyanga
Alors, on valse ?
Soraya Thomas
Alors, on valse ?
Soraya Thomas
Autrui
Stella Gladys Yamba Mackeye
Ocean Moves – Saison 1 – Épisode 4_Keeping Time
Fernando Anuang’a
Ocean Moves – Saison 1 – Épisode 3 – In Box
Pak N’djamena
Ocean Moves – Living on the threshold
Marine Chesnais
Ocean Moves – Épisode 1
Marion Schrotzenberger
Parcours Vers (live)
Djodjo Kazadi
Blurred Mémories
Harivola Rakotondrasoa
Déplacés
Stephen Bongarçon
Vozès (live)
undefined Mulapha Janeth
Vagabundus
Idio Chichava
Traditional Future
Fernando Anuang’a
Coeur d’éléphant
Thierry Micomyiza
L’âne chargé d’éponges et l’âne chargé de sel
Jérôme Brabant , Pierre Fourny
Deus Nos Acudi
Pak N’djamena
Kanyar
Didier Boutiana
Zina
Claudio Rabe
Mila (2020)
Edith Chateau
Si Pina m’avait demandé..
Marion Schrotzenberger
Femmes à gramoun lele
Marion Schrotzenberger
Marion Shrotzenberger, Kissaoulé ?
Marion Schrotzenberger
“Si Pina m’avait demandé…” de Marion Schrotzenberger
Marion Schrotzenberger
PINA, YOU and ME….
Lalanbik CDCN océan Indien
L’âne chargé d’éponges et l’âne chargé de sel
Jérôme Brabant , Pierre Fourny
Dance of Spirits
Marianne Louise Lebon
Habiter Le Seuil – TRAILER
Marine Chesnais
Abstract
Edith Chateau
Abstract – un monde
Edith Chateau
KHôRA#43
Lalanbik CDCN océan Indien
Comença a Ficar Tarde
Ivan Barros
Soyons Fous
Salim Mzé Hamadi Moissi
Mat(t)er – teaser
Éric Languet
Le Poids de la Joie
Éric Languet
Only memories stay
Harivola Rakotondrasoa
Fragment d’un discours lumineux
Éric Languet
Nube y Viento
Marion Schrotzenberger
Danse confinée de Soraya Thomas
France) Soraya Thomas (La Reunion
Lo kor Kanne
Luc Maubon
Poésie du geste Traces
Luc Maubon
Mi mars dann la bote
Luc Maubon
La Révolte des Papillons – Teaser
France) Soraya Thomas (La Reunion
Today
France) Soraya Thomas (La Reunion
Influences
Lino Mérion
Chronique d’une conversation sensible -TEASER
Edith Chateau
Holistic – teaser par la Cie 3.0 Edith Chateau & Cie Les Frères Joseph
Edith Chateau
Absence
Lino Mérion
Parkours
France) Soraya Thomas (La Reunion
Corps Urgents
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / The spider
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / The bee
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / L’élan
France) Soraya Thomas (La Reunion
Barry n’est pas complètement blanc
France) Soraya Thomas (La Reunion
Eric Languet, une pratique chorégraphique intégrée
Éric Languet
Éric Languet, chorégraphe
Éric Languet
Eric Languet, une rencontre avec la danse intégrée
Éric Languet
Impair
Jérôme Brabant
Emergency
Jérôme Brabant
Heimat
Jérôme Brabant
Somewhere, out there, life was screaming
Éric Languet
Priyèr’ Sï Priyèr’
Didier Boutiana
Reflex
Didier Boutiana
Ma vie sans bal
Éric Languet
Fragments of an uncertain body
Éric Languet
Priyèr’ Sï Priyèr’ – focus
Didier Boutiana
Kaz Bourbon – focus
Nadjani Bulin
Mitsaka Festival – focus
Lalanbik
Reflex – focus
Didier Boutiana
Impair – focus
Jérôme Brabant
Kafrine – focus
Nadjani Bulin
Murmur – focus
Sylvie Robert
Territoires
Jeff Ridjali
Heimat – focus
Jérôme Brabant
Couleurs de femmes
Yun Chane
Emergency – Focus
Jérôme Brabant
Emergency
“Emergency” is the result of a collaboration between the contemporary choreographer Jérôme Brabant and a group of free runners, New Gravity.
Emergency is the result of a collaboration between the contemporary choreographer Jérôme Brabant and a group of free runners, New Gravity. It is part of a research project on the meeting of two disciplines, contemporary dance and free running.
This collaboration sets off a reflection on their island identity. So as not to create an aesthetic piece illustrating the history of Reunion Island, Jérôme Brabant has deliberately chosen to work with young people who are moving forwards towards adulthood, and who embody the emergence of a people.
Free running consists of acrobatic movements through urban spaces, involving risk-taking and making use of the natural objects in your path. The problem of using the space on a theatre stage for free running is overcome by the use of platforms, which give the dancers elevation with the change in levels. Their trajectories use the entire length of the stage and their momentum along the diagonals provides an explosion of their virtuosity.
The alternating rhythms give a different perception of movement by introducing moments of slowness as the group comes together downstage, breaking up the lightning speed that free running requires.
The new demands made on the body are clear for the audience to see, replacing work that is rooted lifelessly in the ground with vertical challenges. Their work is enhanced in this approach as the most impressive figures derive from a group impetus. There is a notion of solidarity in human relations: each authentic element is part of a whole and makes it more powerful through a collective drive.
The choice of music is the antithesis of the noisy world of free running. Vivaldi’s “Four Seasons”, with its lively, sustained sounds, accompanies the dancers in their frenzy of running and risk-taking. The dancers set the pace in an acoustic ensemble that mirrors the solidarity that they embody.
Source : Lalanbik
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