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The spectator’s moment (2015): La culture Hip Hop
Fabien Plasson
Conférence dansée d’Olivier Lefrançois
James Carlès
Faire kiffer les anges
Centre Chorégraphique National de Créteil et du Val-de-Marne | EMKA
Du cercle à la scène
Ministère de la Culture
Du cercle à la scène
Ministère de la Culture
The spectator’s moment (2022): Hip Hop de Show
Fabien Plasson
Les arènes du hip-hop
Ministère de la Culture
Les arènes du Hip-Hop
Ministère de la Culture
Hip Hop Games Exhibition
Romuald Brizolier
Lyon, terre de danse
Mourad Merzouki
Boxe Boxe
Mourad Merzouki
The Roots
Maison de la danse
BGirls
Nadja Harek
One Shot
Ousmane Sy
Compact
Jann Gallois
Promenade Obligatoire
Anne Nguyen
Cellule
Nach
Apaches
Saïdo Lehlouh
BROTHER
Marco da Silva Ferreira
Rouge
Mickaël Le Mer
Extension
Amala Dianor , Junior Bosila
Dans l’engrenage
Souhail Marchiche , Medhi Meghari
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
Faire kifer les anges [Aktuel Force]
Gabin Nuissier , Karima Khelifi
Du cercle à la scène
Nadja Harek suit la préparation de deux des plus importantes compagnies françaises de hip-hop, les Vagabonds et Pockemon Crew, pour la sélection française en vue de la compétition internationale Battle of The Year (BOTY 2013).
Nadja Harek follows the preparation of two of the leading French hip hop companies, the Vagabonds and Pockemon Crew, for a French selection in view of the Battle of the Year international competition (BOTY 2013). The film reveals, supported by testimonies, the richness of a mixed-culture choreographic language, based on constant invention and driven by the desire to shake up this “street dance” as it was considered at the start.
Ever since its emergence in France in the 1980s, hip hop has well and truly found its place in the choreographic landscape and has ended up transferring to the stage its figures (including the essential circle figure) and its dynamic gestures (leaps and floor dance), whether developed solo or conveyed by the group’s force. While the BOTY stage is above all a place of confrontation and the surpassing of oneself, the stages hosting the two companies for the elaboration of their projects tend rather to highlight the uniqueness of the approaches. Under the kindly gaze of two choreographers who have defended the qualities of hip hop (Mourad Merzouki and José Montalvo), the Vagabonds and Pockemon Crew advocate the merging of all dance forms, from the rigour of classical dance to the experimentation of the most contemporary dance, not to mention the spectacular dimension of musicals.
Source : Damien Truchot