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The spectator’s moment (2015): La culture Hip Hop
Fabien Plasson
Conférence dansée d’Olivier Lefrançois
James Carlès
Faire kiffer les anges
Centre Chorégraphique National de Créteil et du Val-de-Marne | EMKA
Du cercle à la scène
Ministère de la Culture
Du cercle à la scène
Ministère de la Culture
The spectator’s moment (2022): Hip Hop de Show
Fabien Plasson
Les arènes du hip-hop
Ministère de la Culture
Les arènes du Hip-Hop
Ministère de la Culture
Hip Hop Games Exhibition
Romuald Brizolier
Lyon, terre de danse
Mourad Merzouki
Boxe Boxe
Mourad Merzouki
The Roots
Maison de la danse
BGirls
Nadja Harek
One Shot
Ousmane Sy
Compact
Jann Gallois
Promenade Obligatoire
Anne Nguyen
Cellule
Nach
Apaches
Saïdo Lehlouh
BROTHER
Marco da Silva Ferreira
Rouge
Mickaël Le Mer
Extension
Amala Dianor , Junior Bosila
Dans l’engrenage
Souhail Marchiche , Medhi Meghari
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
Faire kifer les anges [Aktuel Force]
Gabin Nuissier , Karima Khelifi
Boxe Boxe
“Boxing’s a form of dance anyway.While one is identified with brutality and violence and the other with grace and pleasure, I found a touch of all these ingredients in each of them.” Mourad Merzouki
Boxing’s a form of dance anyway. I realized that as a teenager, when I got into hip-hop after years of doing martial arts. While one is identified with brutality and violence and the other with grace and pleasure, I found a touch of all these ingredients in each of them.
I’ll be putting these contrasts to work in this new piece, because each aspect of boxing has an equivalent in choreography: the ring and the stage, the gong and the curtain going up, the referee and the eagle-eyed critics – for me there are all kinds of similarities.
Like martial arts, dance demands hard work, sweat, no effort spared; in both the «performer» commits himself and suffers the same encounter with the void in the form of his opponent or the audience. No weaknesses or flaws allowed – he has to satisfy the public. The further I go down my path as a choreographer, the clearer it is that you really have to show your mettle. When fame and recognition are no longer enough, only risk-taking – the face-off, the leap into the unknown, and ultimately your battle with yourself – will keep you going.So there’s a mix – the excitement of combat and fear of the spectators: the gut fear of getting badly knocked about, of taking a licking, together with that great feeling of abandoning yourself, of achieving absolute fulfilment in that magic moment on stage or in the ring.
Mourad Merzouki