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The spectator’s moment (2015): La culture Hip Hop
Fabien Plasson
Conférence dansée d’Olivier Lefrançois
James Carlès
Faire kiffer les anges
Centre Chorégraphique National de Créteil et du Val-de-Marne | EMKA
Du cercle à la scène
Ministère de la Culture
Du cercle à la scène
Ministère de la Culture
The spectator’s moment (2022): Hip Hop de Show
Fabien Plasson
Les arènes du hip-hop
Ministère de la Culture
Les arènes du Hip-Hop
Ministère de la Culture
Hip Hop Games Exhibition
Romuald Brizolier
Lyon, terre de danse
Mourad Merzouki
Boxe Boxe
Mourad Merzouki
The Roots
Maison de la danse
BGirls
Nadja Harek
One Shot
Ousmane Sy
Compact
Jann Gallois
Promenade Obligatoire
Anne Nguyen
Cellule
Nach
Apaches
Saïdo Lehlouh
BROTHER
Marco da Silva Ferreira
Rouge
Mickaël Le Mer
Extension
Amala Dianor , Junior Bosila
Dans l’engrenage
Souhail Marchiche , Medhi Meghari
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
Faire kifer les anges [Aktuel Force]
Gabin Nuissier , Karima Khelifi
BGirls
En réalisant le portrait de quatre danseuses de break-dance, âgées de 13 à 45 ans, Nadja Harek vient bousculer les idées reçues qui conduisent souvent à présenter le hip-hop comme une danse exclusivement masculine.
Karima, Auriane, Valentine and Carlota testify as to how they have found in the energy of these gestures the possibility to express themselves and move beyond the very issue of gender.
A genuine pioneer of breakdance, Karima uses the fluidity and suppleness of her body to constantly experiment with new movements, seeking for surprising support points. As for the very young Carlota, she turns her small size into an advantage to get an edge during battles mixing boys and girls, often older than her. Among her opponents we discover Auriane, who trained as a gymnast. French champion title holder, she is getting ready to compete with her partner in the Battle of the Year in Germany. A young choreographer, Valentine explores, through the performance she is staging or in duo with Anne Nguyen, “another femininity”: she plans to make visible an “interiorised” femininity that is apparently concealed in everyday life. By highlighting the paths of these four young women, Nadja Harek emphasises how breakdance ultimately relies on a unique energy, that of a fighting spirit where male and female physically converge.