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Karma One
Carolyn Carlson
The Tree (fragments of poetics on fire)
Carolyn Carlson
Carolyn Carlson, a woman of many faces
Carolyn Carlson Company
Seeds (back to the land)
Carolyn Carlson
Still waters
Carolyn Carlson
Slow, heavy and blue
Carolyn Carlson
Still waters
Carolyn Carlson
Blue Lady [revisited]
Carolyn Carlson
Steppe
Carolyn Carlson
Dark
Carolyn Carlson
Blue Lady : montage d’extraits
Carolyn Carlson
Tiger in the tea house
Carolyn Carlson
Writings on Water
Carolyn Carlson
Synchronicity
Carolyn Carlson
Carolyn Carlson et Michel Portal
Carolyn Carlson
Commedia
Carolyn Carlson
Arcana : Density 21.5
Carolyn Carlson
Carolyn Carlson, Solo
Carolyn Carlson
Carolyn Carslon, A Woman of Many Faces
Carolyn Carlson
Light Bringers
Carolyn Carlson
Blue Lady Duo Carlson-Saarinen
Tero Saarinen , Carolyn Carlson
Blue Lady
Carolyn Carlson
Undici Onde
Carolyn Carlson
Double Vision
Carolyn Carlson
Undici Onde
Carolyn Carlson
Out of focus
Carolyn Carlson
Film with three dancers
Carolyn Carlson
Steppe
Carolyn Carlson
Improvisation Carolyn Carlson et Michel Portal
Carolyn Carlson
La barque sacrée
Carolyn Carlson
Citta’ d’Acqua
Carolyn Carlson
Blue marine
Carolyn Carlson
L’orso e la luna
Carolyn Carlson
Self trio
Carolyn Carlson
Dall’interno
Carolyn Carlson
L’ampoule électrique
Carolyn Carlson
Syyskuu
Carolyn Carlson
Karma One
Carolyn Carlson
Going Home
Carolyn Carlson
C. Carlson & E. Schwartz : Hommage à Isadora Duncan au Musée Bourdelle
Elisabeth Schwartz , Carolyn Carlson
Spiritual Warriors
Carolyn Carlson
Commedia
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Commenting on Commedia (1993), Carlson’s work inspired by Dante’s La Divina Commedia, Gérard Mannoni summarize the overall qualities of Carlson’s long choreographic output and the difficulties of writing about it. He writes about the images which her work provokes, the purity and the beauty of line, the originality and expressiveness of the dancing, and the rigour of form which is underlined by the quality of lightning, reminding the viewer of Robert Wilson’s works. He writes of a movement language that is constantly evolving, changing, and creating wonder with each new piece, and of a group of dancers of exceptional talent. But above all, he writes of Carlson herself, saying “Nobody can imitate the way she dances the Universe, her presence is always simply stunning”.
Source: Ann Veronica Turnbull for Fifty Contemporary Choreographers, quoting Teatro Mese, 1993, Gérard Mannoni