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Karma One
Carolyn Carlson
The Tree (fragments of poetics on fire)
Carolyn Carlson
Carolyn Carlson, a woman of many faces
Carolyn Carlson Company
Seeds (back to the land)
Carolyn Carlson
Still waters
Carolyn Carlson
Slow, heavy and blue
Carolyn Carlson
Still waters
Carolyn Carlson
Blue Lady [revisited]
Carolyn Carlson
Steppe
Carolyn Carlson
Dark
Carolyn Carlson
Blue Lady : montage d’extraits
Carolyn Carlson
Tiger in the tea house
Carolyn Carlson
Writings on Water
Carolyn Carlson
Synchronicity
Carolyn Carlson
Carolyn Carlson et Michel Portal
Carolyn Carlson
Commedia
Carolyn Carlson
Arcana : Density 21.5
Carolyn Carlson
Carolyn Carlson, Solo
Carolyn Carlson
Carolyn Carslon, A Woman of Many Faces
Carolyn Carlson
Light Bringers
Carolyn Carlson
Blue Lady Duo Carlson-Saarinen
Tero Saarinen , Carolyn Carlson
Blue Lady
Carolyn Carlson
Undici Onde
Carolyn Carlson
Double Vision
Carolyn Carlson
Undici Onde
Carolyn Carlson
Out of focus
Carolyn Carlson
Film with three dancers
Carolyn Carlson
Steppe
Carolyn Carlson
Improvisation Carolyn Carlson et Michel Portal
Carolyn Carlson
La barque sacrée
Carolyn Carlson
Citta’ d’Acqua
Carolyn Carlson
Blue marine
Carolyn Carlson
L’orso e la luna
Carolyn Carlson
Self trio
Carolyn Carlson
Dall’interno
Carolyn Carlson
L’ampoule électrique
Carolyn Carlson
Syyskuu
Carolyn Carlson
Karma One
Carolyn Carlson
Going Home
Carolyn Carlson
C. Carlson & E. Schwartz : Hommage à Isadora Duncan au Musée Bourdelle
Elisabeth Schwartz , Carolyn Carlson
Spiritual Warriors
Carolyn Carlson
Arcana : Density 21.5
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Density 21.5, on a score by Edgar Varese, changed the career of Carolyn Carlson (born in 1943). In 1973, on tour in Hamburg with Alwin Nikolais’ company, she was noticed by Rolf Liebermann, then director of the Hamburg Opera. He offered her to create a work for a “Tribute to Varese” evening, at the place at the Paris Opera. Carolyn Carlson accepted and created Density 21.5 on a platinum flute score from Varese. All Carlson is already in Density 21.5. Long and flexible line broken by small jerky gestures of arms, verticality and spiral… Carlson’s typical vibration radiates this piece stretched over the ultra-fine thread of the melody. Here again, his unique way of slipping an intimate confidence without ever departing from its abstract elegance. Behind Density 21.5 is already looming the shadow of her iconic solo Blue Lady (1983).
Source: Rosita Boisseau, INA