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Shango
Katherine Dunham , James Carlès
Hard Time Blues
Pearl Primus , James Carlès
Mourner’s bench
James Carlès , Talley Beatty
Transmission de Ostrich
James Carlès , Asadata Dafora
![Miniature de la vidéo Ostrich [extract 2]](https://numeridanse.com/app/uploads/2015/11/Ostrich-extract-2-35727-120x70-c-default.jpg)
Ostrich [extract 2]
James Carlès , Asadata Dafora
Barrel House Blues – Rehearsal
Katherine Dunham , Cleo Parker Robinson , James Carlès
![Miniature de la vidéo The Wedding [extract 1]](https://numeridanse.com/app/uploads/2015/11/The-Wedding-extract-1-35745-120x70-c-default.jpg)
The Wedding [extract 1]
Pearl Primus , James Carlès
Dear Lord Extract 2
Rick Odums
![Miniature de la vidéo Boots Dance [2009]](https://numeridanse.com/app/uploads/2015/11/Boots-Dance-2009-35769-120x70-c-default.jpg)
Boots Dance [2009]
James Carlès , Walter Nicks
Tam Tam
James Carlès , Féral Benga
Boots Dance
James Carlès , Walter Nicks
![Miniature de la vidéo Oh Lord [integral]](https://numeridanse.com/app/uploads/2016/01/Oh-Lord-integral-36087-120x70-c-default.jpg)
Oh Lord [integral]
James Carlès , Géraldine Armstrong
Oh Lord
James Carlès , Géraldine Armstrong
Dear Lord
Rick Odums
Lobo
Vendetta Mathéa
Mourner’s bench
James Carlès , Talley Beatty
Shango
Katherine Dunham , James Carlès
Barrel House Blues
Katherine Dunham , Cleo Parker Robinson
Ostrich
James Carlès , Asadata Dafora
“Arythmie” et Event Merce Cunningham
Merce Cunningham , James Carlès
“Initiation hip-hop” de Saint-Louis Rhino, “Toulouse/Londres/Tel-Aviv, A-R” de James Carlès, “Dear Lord” de Rick Odums
James Carlès , Rick Odums , Saint-Louis rhino
FINDING EROS – Love At Last You Have Found Me
James Carlès
Finding Eros – Love Me or Leave Me
James Carlès
Barrel House Blues
One of the first artistic fusions vernacular, mixing ideas and modern dance, “Barrel House Blues” was a shock then – and especially an engine, which enchanted the public and disconcerted criticisms.
A solitary old woman entered a bar of Chicago, meets an young man and fantasizes. Slowness of the dredger, the bodies approach, basin against basin, they knock…. One of the first artistic fusions vernacular, mixing ideas and modern dance, “Barrel House Blues” was a shock then – and especially an engine, which enchanted the public and disconcerted criticisms.
CREDITSTrioCreation: 1938Choreographer: Katherine DunhamReconstruction according to the Laban partition: Sylvie DuchesneCoaching: Cléo Parker RobinsonSupervision: Marie-Christine Dunham-PrattDuration: 8 minMusic: Jess Stacy
