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Shango
Katherine Dunham , James Carlès
Hard Time Blues
Pearl Primus , James Carlès
Mourner’s bench
James Carlès , Talley Beatty
Transmission de Ostrich
James Carlès , Asadata Dafora
Ostrich [extract 2]
James Carlès , Asadata Dafora
Barrel House Blues – Rehearsal
Katherine Dunham , Cleo Parker Robinson , James Carlès
The Wedding [extract 1]
Pearl Primus , James Carlès
Dear Lord Extract 2
Rick Odums
Boots Dance [2009]
James Carlès , Walter Nicks
Tam Tam
James Carlès , Féral Benga
Boots Dance
James Carlès , Walter Nicks
Oh Lord [integral]
James Carlès , Géraldine Armstrong
Oh Lord
James Carlès , Géraldine Armstrong
Dear Lord
Rick Odums
Lobo
Vendetta Mathéa
Mourner’s bench
James Carlès , Talley Beatty
Shango
Katherine Dunham , James Carlès
Barrel House Blues
Katherine Dunham , Cleo Parker Robinson
Ostrich
James Carlès , Asadata Dafora
“Arythmie” et Event Merce Cunningham
Merce Cunningham , James Carlès
“Initiation hip-hop” de Saint-Louis Rhino, “Toulouse/Londres/Tel-Aviv, A-R” de James Carlès, “Dear Lord” de Rick Odums
James Carlès , Rick Odums , Saint-Louis rhino
FINDING EROS – Love At Last You Have Found Me
James Carlès
Finding Eros – Love Me or Leave Me
James Carlès
Mourner's bench
This fight spiritual and strengthened between a dancer and a bench is inspired by the universe of the novelist Howard Fast and is alluded to the tragic influence of the Ku Klux Klan on a rural multiracial community of the South of the United States, after
This fight spiritual and strengthened between a dancer and a bench is inspired by the universe of the novelist Howard Fast and is alluded to the tragic influence of the Ku Klux Klan on a rural multiracial community of the South of the United States, afet the civil war. The interpreter affirms himself through a gestural language highly stylized against the topics of oppression and transcendence; “Sitted on the mourner’ S bench”, he reports the decline, the horror and oppression undergone by the black community.
CREDITS
Creation in 1947 section of the part “Southern Landscape”Choreographer: Talley BeattyFrontier runners: Joan Myers Brown – Cie Philadanco, Philadelphia the USADuration: 6 mnInterpret: SoloMusic: “There has balm in Gilead” song traditional negro spiritual