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Soapera
Mathilde Monnier
Tempo 76
Mathilde Monnier
Gustavia
Mathilde Monnier , La Ribot
Pudique acide
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
La place du singe
Mathilde Monnier
ex.e.r.ce
Mathilde Monnier
E pour eux
Mathilde Monnier
Chinoiserie
Mathilde Monnier
Arrêtez, arrêtons, arrête
Mathilde Monnier
Pavlova 3’23”
Mathilde Monnier
2008 vallée
Mathilde Monnier
soapéra intégral
Mathilde Monnier
nos images intégral
Mathilde Monnier
gustavia intégral
Mathilde Monnier , La Ribot
Pour Antigone
Mathilde Monnier
Nuit
Mathilde Monnier
Signé, signés
Mathilde Monnier
Stop
Mathilde Monnier
Videlilah
Mathilde Monnier
Le jour de nuit
Mathilde Monnier
![Miniature de la vidéo Pudique acide / Extasis [recréation]](https://numeridanse.com/app/uploads/2014/04/Pudique-acide-Extasis-recreation-20669-120x70-c-default.jpg)
Pudique acide / Extasis [recréation]
Mathilde Monnier , Jean-François Duroure
![Miniature de la vidéo city maquette [intégral]](https://numeridanse.com/app/uploads/2014/04/city-maquette-integral-20777-120x70-c-default.jpg)
city maquette [intégral]
Mathilde Monnier
tempo 76 intégral
Mathilde Monnier
pudique acide / extasis (recréation) intégral
Mathilde Monnier , Jean-François Duroure
![Miniature de la vidéo un americain à paris [intégral]](https://numeridanse.com/app/uploads/2014/04/un-americain-a-paris-integral-20967-120x70-c-default.jpg)
un americain à paris [intégral]
Mathilde Monnier
les signes extérieurs intégral
Mathilde Monnier
pavlova 3’23” intégral
Mathilde Monnier
Les entretiens de la danse : Jean-Paul Montanari
Valérie Urréa
Bruit blanc
Mathilde Monnier
Dans tes cheveux
Mathilde Monnier
Pour Antigone, quatre portraits
Mathilde Monnier
La rencontre
Mathilde Monnier
pour antigone intégral
Mathilde Monnier
A Mary Wigman Dance Evening
Fabián Barba , Mary Wigman
Débords
Olga de Soto
Histoire(s)
Olga de Soto
la nuit du monde
2017
Les entretiens de la danse : karine saporta
Karine Saporta
Les entretiens de la danse : Viola Farber
Viola Farber
twin paradox integral
Mathilde Monnier
twin paradox
Mathilde Monnier
publique intégral
Mathilde Monnier
u.a
Martin Nachbar
Ecran somnambule
Latifa Laâbissi
Incorporer
Olga de Soto
Future memory
Rani Nair
Soapera
Mathilde Monnier
Abecedarium Bestiarium
Quatorze
Black sun
Troupeau
Professor
chevreuil
Arrêtez, arrêtons, arrête
…Si la réalité n’existait pas, la littérature, la danse, le théâtre, etc, n’existeraient pas, n’est-ce pas ? La réalité c’est surtout pour cela qu’on l’aime, son utilité. C’est d’elle qu’on part mais ça s’arrête là…
… If reality did not exist, then literature, dance, theatre and so on would not exist, isn’t that so? It’s above all for that, for its usefulness, that we like reality. It’s from reality that we start but that stops there. A sort of root on the surface allowing us to descend into our caves, tunnels, basements, maze-like at times, blind alleys at others, dead ends. Dead end indeed, maybe there, what you are going to see. Mathilde asked herself “what is the inner state of a being?” What do we do with this kind of question? The inner state of a being cannot be communicated. At the outset she asked herself “is it the confinement that fascinates me so much?” We changed subject, fearing the journalists’ questions, wishing to cut it short. We changed subject a number of times, we skipped from subject to subject, before finally choosing “stop barking you filthy dogs”. Because the inner state of beings is just that. The confined state of beings is that: Things inside you and around you that bark. Things that bark through you. That scream or wail or that are there. We have taken as subject the things that are there. In our head, what we hear, that are there. Those things that sometimes we ourselves bark out. All those sentences. That are there. In silence, in our head, that pass, even the deaf must hear them. We don’t know. Precisely, we don’t know what is confined inside beings. All those sentences, even when you watch a show, or at night. Like a cat, it doesn’t linger, it leaps very quickly from one thing to another, it always returns obsessively to more or less the same spots. It marks pauses. Or not, sometimes it doesn’t come back. Like a cat, the body each time that stands still and the gaze too, to quickly move to a higher branch. A lower branch, or a cupboard. Without ever hurting itself, that’s it…
Source: Christine Angot. June 1997
