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Soapera
Mathilde Monnier
Tempo 76
Mathilde Monnier
Gustavia
Mathilde Monnier , La Ribot
Pudique acide
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
La place du singe
Mathilde Monnier
ex.e.r.ce
Mathilde Monnier
E pour eux
Mathilde Monnier
Chinoiserie
Mathilde Monnier
Arrêtez, arrêtons, arrête
Mathilde Monnier
Pavlova 3’23”
Mathilde Monnier
2008 vallée
Mathilde Monnier
Pour Antigone
Mathilde Monnier
Nuit
Mathilde Monnier
Signé, signés
Mathilde Monnier
Stop
Mathilde Monnier
Videlilah
Mathilde Monnier
Le jour de nuit
Mathilde Monnier
Pudique acide / Extasis [recréation]
Mathilde Monnier , Jean-François Duroure
Les entretiens de la danse : Jean-Paul Montanari
Valérie Urréa
Dans tes cheveux
Mathilde Monnier
Pour Antigone, quatre portraits
Mathilde Monnier
La rencontre
Mathilde Monnier
A Mary Wigman Dance Evening
Fabián Barba , Mary Wigman
Débords
Olga de Soto
Histoire(s)
Olga de Soto
Les entretiens de la danse : karine saporta
Karine Saporta
Les entretiens de la danse : Viola Farber
Viola Farber
twin paradox
Mathilde Monnier
u.a
Martin Nachbar
Ecran somnambule
Latifa Laâbissi
Incorporer
Olga de Soto
Future memory
Rani Nair
Soapera
Mathilde Monnier
Black Lights
Mathilde Monnier
Black Lights
Inspired by real events, Black Lights is a show-series-manifesto that takes a look at the violence perpetrated against women on a daily basis. The show is based on a hard-hitting series entitled H24, which will be broadcast on ARTE in 2021, based on an original idea and direction by two film-makers, Valérie Urrea and Nathalie Masduraud.
The series features 24 short, daring films about 24 situations in a woman’s daily life. It features 24 short, scripted stories set against different backdrops of everyday violence against women.
Talk, dance.
The body is my subject, movement is my object. I remain fascinated by the complexity of what a body in movement is capable of: by producing a plurality of meanings and images, it produces the imaginary, the political, meaning, it is a vector of immense possibility ranging from the poetic to the political.
I have chosen to include 11 texts in this collection, simply because they are charged with a story of the body, 11 authors for a single stage community of dancers, singers and actors, 8 artists on stage who will carry these words as sisters, witnesses, partners in the game, but also 8 artists who will carry a common rhythm through the figures of chorus, group, support and dance. In the introduction to the collection, the two directors say: ‘Don’t hesitate to take hold of these words, they’re powerful, they’re yours’. I take this outstretched hand at face value as a call for a show that could be invented and give these stories another life, directly linking what these texts do to the body.
A form of relay to say again, to bear witness, to continue to pursue this formidable punch that makes us understand these injustices.
– Mathilde Monnier –