Sollicitudes – extraits
Hervé Robbe
Memories (ou l’oubli)
Travelling & co Hervé Robbe
A new landscape – teaser
Hervé Robbe
Danse de 6
Hervé Robbe
Remembrance 2 (1999-2011)
Hervé Robbe
Remembrance 1 (1987/1998)
Hervé Robbe
Remembrance 3 (2012-2019)
Hervé Robbe
Danse de 20 (Teaser)
Hervé Robbe
Danse de 4 (Teaser)
Hervé Robbe
Slogans
Hervé Robbe
Un Terrain Encore Vague
Hervé Robbe
Next Days
Hervé Robbe
Flowing along
Hervé Robbe
Vaguely light
Hervé Robbe
Factory
Hervé Robbe
Là on y danse
Hervé Robbe
Factory
Hervé Robbe
Antichambre repetita
Hervé Robbe
Appassionata
Hervé Robbe
En espérant l’eclipse
Hervé Robbe
De humani corporis fabrica
Hervé Robbe
Assaï Vivace
Hervé Robbe
Made of
Hervé Robbe
Histoire courte des enfants de la place Hébert
Hervé Robbe
V.O Projet
Hervé Robbe
Initiales
Hervé Robbe
2.Id
Hervé Robbe
Id
Hervé Robbe
Vague
Hervé Robbe
Avis de demolition
Hervé Robbe
Bye see you next … no more
Hervé Robbe
Des horizons perdus
Hervé Robbe
In between – Yellow suite
Hervé Robbe
Mutating score
Hervé Robbe
Navigations
Hervé Robbe
Origami
Hervé Robbe
Permis de construire
Hervé Robbe
Polaroïd
Hervé Robbe
Rew
Hervé Robbe
Vingt plus un
Hervé Robbe
Wave 03
Hervé Robbe
Un appartement en centre ville
Hervé Robbe
Une maison sur la colline
Hervé Robbe
So long as baby…love and songs will be
Hervé Robbe
Memories (ou l'oubli)
Memoires ou l’oubli presents a range of archive materials, textual and sound proposals from almost 50 contributors, and outside perspectives from artists and writers, exploring the repertoire, the memory of the choreographic gesture and changes in the status and desires for the future of five generations of dancers.
Don’t lose your memory, but accept forgetting.
Both an artistic object and a research tool, Memories (or oblivion) combines the use of different archive materials, the textual and sound proposals of nearly 50 contributors, and the outside viewpoints of artists and writers, exploring the repertoire and memory of the choreographic gesture as much as the changing status and future desires of five generations of dancers.
Through the individual and collective itineraries of the choreographer and his dancers, the project is a pretext for retracing the history of French contemporary dance since the 1980s; a testimony to the journey of an entire profession.
Remembrance (1987-2017)
A documentary series
A choreographer renowned for his attachment to video as a sensitive approach to choreography, Hervé Robbe’s Memories (or forgetting) project offers us a new audiovisual object somewhere between documentary and fiction, archive and creation.
This dance film is an opportunity to bring together the wonderful dancers who have accompanied me on my artistic adventure. Five generations of artists who have embodied with virtuosity all these dances that have never stopped reinventing themselves. With the help of a whole team, I’m going to question and revisit these works, their subjects and their natures, in order to write a new script. A film that documents the memories of dancers and questions them about the traces of their past dances. A new archive, the archive of bodies, an accumulation of short fictions filmed in close-up. A rewind that plays with erasure and disappearance, the blurred contours of our memories, to reveal the ghosts of our memory.
A new landscape
A piece for ten dancers
A new dance that unfolds here on the stage and draws a new landscape for the bodies in a friction with reality, like an offering to the audience embracing its future. A dance that doesn’t turn its back on its past, that emanates from a chamber of echoes and reminiscences and allows another collective ritual to emerge, a new address.
Thirty years of creation, I remember and then I forget out of necessity to be and become…
The complex weave of our heritages and memories unfolds a long chain of transmission that, in repeated cycles, challenges us and conditions our actions. We make inexorable and constant use of the imprecision of memory and its subjectivity to reinvent ourselves in the present and imagine multiple possible fictions of our existence. So there would be no spontaneous generation of acts and constructions, just mystification and the illusion of detachment from our past. A kind of lie, a partial loss of memory necessary to avoid the intangible reproduction of things.
There’s no melancholy or nostalgia here, just a hint of recycling of archives, a kind of sustainable development of gestures still being shared.
Credits
Conception Hervé Robbe
Images Vincent Bosc