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néo-fiction
Christian Rizzo
et pourquoi pas : “bodymakers”, “falbalas”, “bazaar”, etc, etc… ?
Christian Rizzo
autant vouloir le bleu du ciel et m’en aller sur un âne
Christian Rizzo
de quoi tenir jusqu’à l’ombre
Christian Rizzo
de quoi tenir jusqu’à l’ombre
Christian Rizzo
miramar
Christian Rizzo
en son lieu
Christian Rizzo
une maison
Christian Rizzo
d’à côté
Christian Rizzo
le syndrome ian
Christian Rizzo
ad noctum
Christian Rizzo
d’après une histoire vraie
Christian Rizzo
sakınan göze çöp batar (c’est l’œil que tu protèges qui sera perforé)
Christian Rizzo
TTT : tourcoing-taipei-tokyo
l’association fragile
b.c, janvier 1545, fontainebleau.
Christian Rizzo
comme crâne, comme culte.
Christian Rizzo
mon amour
Christian Rizzo
100% polyester, objet dansant n° (to be defined)
Christian Rizzo
Magma
Christian Rizzo , Andrés Marin , Marie-Agnès Gillot
Magma
Her, Marie-Agnès Gillot, is the most unclassifiable étoile of her generation. Her hieratic lines and her presence marked the repertoire of the Paris Opera Ballet. Him, Andrés Marín, is one of the big names in contemporary flamenco. These two flamboyant personalities have chosen to meet through a unique creation, at the crossroads of their worlds. Those of Marie-Agnès Gillot range from classical dance to Pina Bausch and Les Enfoirés, while Andrés Marín has moved away from traditional flamenco by collaborating, in particular, with hip hop dance. A third voice, that of Christian Rizzo, will be added to this duo: “They share a very strong animality, but the shadow of this animality must be even more disturbing”, explains the choreographer.
Source: Maison de la Danse de Lyon