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néo-fiction
Christian Rizzo
et pourquoi pas : “bodymakers”, “falbalas”, “bazaar”, etc, etc… ?
Christian Rizzo
autant vouloir le bleu du ciel et m’en aller sur un âne
Christian Rizzo
de quoi tenir jusqu’à l’ombre
Christian Rizzo
de quoi tenir jusqu’à l’ombre
Christian Rizzo
miramar
Christian Rizzo
en son lieu
Christian Rizzo
une maison
Christian Rizzo
d’à côté
Christian Rizzo
le syndrome ian
Christian Rizzo
ad noctum
Christian Rizzo
d’après une histoire vraie
Christian Rizzo
sakınan göze çöp batar (c’est l’œil que tu protèges qui sera perforé)
Christian Rizzo
TTT : tourcoing-taipei-tokyo
l’association fragile
b.c, janvier 1545, fontainebleau.
Christian Rizzo
comme crâne, comme culte.
Christian Rizzo
mon amour
Christian Rizzo
100% polyester, objet dansant n° (to be defined)
Christian Rizzo
Magma
Christian Rizzo , Andrés Marin , Marie-Agnès Gillot
d'après une histoire vraie
Stage left, two drummers play live on a platform. Eight men meet, get together and take a few steps together, which gradually evolve into a tribal dance with roots in the traditional dances of the Mediterranean Basin.
A few years ago in Istanbul, Christian Rizzo watched a traditional dance performed solely by men. The choreographer was suddenly overcome with a profound emotion. The memory of that scene, fixed in his mind, has since evolved and has now re-emerged as the point of departure for the show ‘D’Après une Histoire Vraie’. With eight dancers and two musicians playing live, Christian Rizzo creates a powerful hybrid dance that combines folkloric practices and contemporary dance. The two drums, beating on the margins of tribal rhythms and psychedelic rock, maintain a relationship between dialogue and battle. The dancers form a human chain, hands on shoulders, creating tighter and tighter circles.
CDN Haute-Normandie