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À bras le corps
Boris Charmatz
R1R2
Bouside Ait Atmane
Two Ecstatic Themes
Doris Humphrey
Pavlova 3’23”
CN D – Centre national de la danse
![Miniature de la vidéo Déserts d’amour [solo]](https://numeridanse.com/app/uploads/2014/04/Deserts-d8217amour-solo-23526-120x70-c-default.jpg)
Déserts d’amour [solo]
Dominique Bagouet
Boléro (1962)
Maurice Béjart
Admiring la Argentina
Kazuo Ohno , Tatsumi Hijikata
ELEMENTEN I – Room
Cindy Van Acker
Le Lac des Cygnes (acte II)
Andy De Groat
Cinderella
Maguy Marin
Professor
Maud Le Pladec
Paradis
Dominique Hervieu , José Montalvo
Récital
Mourad Merzouki
d’après une histoire vraie
Christian Rizzo
Cellule
Nach
El final de este estado de cosas, redux
Israel Galván
The chance
Loïc Touzé
Sanctum – Imago
Alwin Nikolais
Watermotor
Trisha Brown
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
Giselle
Yvette Chauviré , Jean Coralli , Florence Clerc , Jules Perrot
May B (2016)
Maguy Marin
Le Lac des Cygnes – Acte II
Natalia Makarova , Marius Petipa , Lev Ivanov
Pororoca
Lia Rodrigues
Trio A
Yvonne Rainer
Le Lac des Cygnes - Acte II
Born of the turbulent history that led to Perm, on the edge of the Urals, becoming the town which harboured the famous Kirov during the Second World War, the Ballet of the Tchaikovsky National Opera has been able to build on this heritage to become one of the most important repositories of the spirit of the great Russian Ballets.
To have these fifty-five dancers come to France as part of the Franco-Russian Year is a significant first. We have chosen to present the masterpiece of the classical repertoire in its purest form, a symbol of harmony and perfection, “Swan Lake”. The rigour, demands and precision that its performance requires always attract admiring audiences.
The male dancers of the Perm Ballet, breaking with all subtleties of the dance and with the intensity of the book, excel in this masterly Lake, which bears the signature of the unforgettable star Natalia Makarova. An exceptional opportunity to discover the sensitivity of this interpretation and the technical distinctiveness of the classical Russian school at its very best.
Source: Maison de la Danse programme
