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À bras le corps
Boris Charmatz
R1R2
Bouside Ait Atmane
Two Ecstatic Themes
Doris Humphrey
Pavlova 3’23”
CN D – Centre national de la danse
Déserts d’amour [solo]
Dominique Bagouet
Boléro (1962)
Maurice Béjart
Admiring la Argentina
Kazuo Ohno , Tatsumi Hijikata
ELEMENTEN I – Room
Cindy Van Acker
Le Lac des Cygnes (acte II)
Andy De Groat
Cinderella
Maguy Marin
Professor
Maud Le Pladec
Paradis
Dominique Hervieu , José Montalvo
Récital
Mourad Merzouki
d’après une histoire vraie
Christian Rizzo
Cellule
Nach
El final de este estado de cosas, redux
Israel Galván
The chance
Loïc Touzé
Sanctum – Imago
Alwin Nikolaïs
Watermotor
Trisha Brown
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
Giselle
Yvette Chauviré , Jean Coralli , Florence Clerc , Jules Perrot
May B (2016)
Maguy Marin
Le Lac des Cygnes – Acte II
Natalia Makarova , Marius Petipa , Lev Ivanov
Pororoca
Lia Rodrigues
Trio A
Yvonne Rainer
d'après une histoire vraie
Accompanied by eight dancers and two musicians, Christian Rizzo seeks a space where movement and its relationship with music eschew the categories of “folk” and “contemporary”.
Stage left, two drummers play live on a platform. Eight men meet, get together and take a few steps together, which gradually evolve into a tribal dance with roots in the traditional dances of the Mediterranean Basin.
A few years ago in Istanbul, Christian Rizzo watched a traditional dance performed solely by men. The choreographer was suddenly overcome with a profound emotion. The memory of that scene, fixed in his mind, has since evolved and has now re-emerged as the point of departure for the show ‘D’Après une Histoire Vraie’. With eight dancers and two musicians playing live, Christian Rizzo creates a powerful hybrid dance that combines folkloric practices and contemporary dance. The two drums, beating on the margins of tribal rhythms and psychedelic rock, maintain a relationship between dialogue and battle. The dancers form a human chain, hands on shoulders, creating tighter and tighter circles.
CDN Haute-Normandie