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Daphnis é Chloé
Jean-Claude Gallotta
Ulysse
Jean-Claude Gallotta
Rei Dom ou la légende des Kreuls
Jean-Claude Gallotta
Le genou de mathilde [Portrait de Jean-Claude Gallotta]
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
Fragments d’une nuit [Hommage a Yves P.]
Jean-Claude Gallotta
Mammame [Le desert d’Arkadine, acte 1]
Jean-Claude Gallotta
Presque Don Quichotte
Jean-Claude Gallotta
Presque Don Quichotte
Jean-Claude Gallotta
Carnets d’un rêveur
Jean-Claude Gallotta
Trois Générations
Jean-Claude Gallotta
Rue de Palanka
Jean-Claude Gallotta
Ulysse
Jean-Claude Gallotta
Sunset Fratell
Jean-Claude Gallotta
Sainte-Marie-Des-Champs [clip]
2003
Montalvo et l’enfant
Jean-Claude Gallotta
Rue de Palanka
Jean-Claude Gallotta
La Légende de Roméo et Juliette
Jean-Claude Gallotta
La Légende de Roméo et Juliette
Jean-Claude Gallotta
Prémonitions
Jean-Claude Gallotta
Prémonitions [extrait]
Jean-Claude Gallotta
Paroles sur Don Quichotte
Jean-Claude Gallotta
My Rock
Jean-Claude Gallotta
My Rock [extrait]
Jean-Claude Gallotta
Montalvo et l’enfant
Jean-Claude Gallotta
Mammame
Jean-Claude Gallotta
Mammame à l’Est
Jean-Claude Gallotta
Mammame à l’Est
Jean-Claude Gallotta
Les Louves [d’après le spectacle Les Louves et pandora]
Jean-Claude Gallotta
Les Louves
Jean-Claude Gallotta
Les Louves [plan séquence]
Jean-Claude Gallotta
L ‘Homme à tête de chou
Jean-Claude Gallotta
L’Homme à tête de chou
Jean-Claude Gallotta
Hommage à Pavel Haas
Jean-Claude Gallotta
Les Fantômes du temps
Jean-Claude Gallotta
L’Enfance de Mammame [duo Petite tête]
Jean-Claude Gallotta
L’Enfance de Mammame [duo Dans le corps]
Jean-Claude Gallotta
Chroniques chorégraphiques – Saison 1
Jean-Claude Gallotta
Chroniques chorégraphiques [extrait Groupé]
Jean-Claude Gallotta
Chroniques chorégraphiques [duo]
Jean-Claude Gallotta
Cher Ulysse
Jean-Claude Gallotta
Cher Ulysse
Jean-Claude Gallotta
Daphnis é Chloé
Jean-Claude Gallotta
Les bergers qui s’attrapent [extrait de Daphnis é Chloé]
Jean-Claude Gallotta
Les bergers qui s’attrapent [Daphnis é Chloé]
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan [acte 1]
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan [acte 2]
Jean-Claude Gallotta
Carnets d’un rêveur
Jean-Claude Gallotta
Des Gens qui dansent
Jean-Claude Gallotta
Des Gens qui dansent
Jean-Claude Gallotta
Carnets d’Angkor
Jean-Claude Gallotta
Carnets d’Angkor
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
La Rue
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
Mammame [1998]
Jean-Claude Gallotta
Quelques notes de Mammame
Jean-Claude Gallotta
Les Larmes de Marco Polo
Jean-Claude Gallotta
Memoire d’une création
Jean-Claude Gallotta
La Chamoule ou l’Art d’aimer
Jean-Claude Gallotta
Un chant presque éteint
Jean-Claude Gallotta
Fragments d’une nuit [Extrait Hommage a Yves P.]
Jean-Claude Gallotta
Le Sacre du printemps précédé de I-Tumulte, II- Pour Igor
Jean-Claude Gallotta
Quelques notes de l’art d’aimer
Jean-Claude Gallotta
Bach danse expérience
Jean-Claude Gallotta
Mammame 2002
Jean-Claude Gallotta
faut que je danse
2017
Les survivants extrait
2017
Les survivants
2017
Daphnis è Chloé
2017
présentation du sacre
2017
Daphnis é Cholé re-création intégral
2017
Audition Australie
2017
Racheter la mort des gestes : Chroniques chorégraphiques 1
Jean-Claude Gallotta
Le Sacre du printemps précédé de I-Tumulte, II-Pour Igor
Jean-Claude Gallotta
Yvan Vaffan
Jean-Claude Gallotta
L’Enfance de Mammame
Jean-Claude Gallotta
Docteur Labus
Jean-Claude Gallotta
Vue sur les marches : Jean-Claude Gallotta
Jean-Claude Gallotta
Entre fiction et frictions, rencontre avec Jean-Claude Gallotta
Jean-Claude Gallotta
Ivan Vaffan OK
Jean-Claude Gallotta
Yvan Vaffan le plongeon
Jean-Claude Gallotta
Yvan Vaffan Sauts LQ
Jean-Claude Gallotta
Daphnis Trio
Jean-Claude Gallotta
Daphnis é Chloé (duo)
Jean-Claude Gallotta
Ulysse les oiseaux
Jean-Claude Gallotta
Vaffan Studio blanc
Jean-Claude Gallotta
Vaffan Cris silencieux
Jean-Claude Gallotta
Entretien avec Jean-Claude Gallotta
Jean-Claude Gallotta
Mammame Cabriole
Jean-Claude Gallotta
Mammame les capes
Jean-Claude Gallotta
Mammame Récréation
Jean-Claude Gallotta
Trois Générations Quatuor des garçons
Jean-Claude Gallotta
Trois Générations
Jean-Claude Gallotta
Trois générations duo découverte
Jean-Claude Gallotta
Mammame’s Childhood [teaser]
Jean-Claude Gallotta
Mammame : Les enfants qui toussent (acte II)
Jean-Claude Gallotta
L’Etranger 20 mn
The Rite and its revolutions
Jean-Claude Gallotta
Mammame’s Childhood [illustrated]
Jean-Claude Gallotta
The Stranger [Teaser]
Jean-Claude Gallotta
l’Etranger
Jean-Claude Gallotta
Mammame’s Childhood [intégral]
Jean-Claude Gallotta
My Rok
Jean-Claude Gallotta
Teaser My Rock
Jean-Claude Gallotta
Teaser My Ladies Rock
Teaser V2 My Ladies Rock
Le genou de mathilde [Portrait de Jean-Claude Gallotta]
Portrait de Jean-Claude Gallotta
This documentary, linked to the piece Des Gens qui dansent, follows the work of the choreographer Jean-Claude Gallotta, in rehearsal with his dancers. Through interviews, he gives his point of view of his pieces. He mentions memories of his family life and of his journey to Africa, which has a special place in his heart.
Des gens qui dansent is the third episode in a trilogy that started in 2002 with 99 duos and continued in 2004 with Trois Générations. A mother and her daughter, an old, dying writer, a man who came out of nowhere, a Little Red Riding Hood, some wolves, a couple on a bridge, a dancer in high heels, two merry baritones, two lovers from somewhere else, and others. This show brings together on stage a group of ten dancers of different ages who intertwine in passionate twos, tender threes and unusual fours. This is a way of Jean-Claude Gallotta wishing us to be loved madly. Figures who evoke, between friction and fiction, stories such as our own, or glimpsed in the lives of others. He uses ever fewer devices on stage. The characters who appear, use the same name as off stage: Béatrice, Camille, Françoise, Ximena, Mathilde and Benjamin, Christophe, Darrell, Martin, and Thierry. Perhaps they even wear the same clothes. One thing is for sure, they experience the same joy and the same anguish, and the same energy and the same poetry. Des Gens qui dansent is a flowing transposition of life onto the stage. At times the difference is so slight; Jean-Claude Gallotta sets out to introduce so little “machinery” into his show that it might initially be thought that, on stage, he wanted more to arrange from life rather than to choreograph it. Whereas, of course, the choreography that he does offer, although it appears to be lifelike, if at this stage it is life, is simply set free from the mask of the spectacular. It presents itself here without manipulation, without wrapping, and without subterfuge. For the spectacular has today changed sides; it has left the theatre and spilled over outside, where it now dresses up and disguises what is real. Consequently, the stage has to repopulate itself otherwise, with people. Better still, with beings. Of course, most of these beings on stage in Des Gens qui dansent are dancers, great dancers. However, they are not there to parade their virtuosity, nor their muscles or flesh. What they have to bare are primarily the relationships that men and women foster with each other and with the world, whose dismantling, turmoil and fragmentation this show does not imitate identically. On the other hand, the stage of Des Gens qui dansent is obviously crossed by their fracture lines. And it is precisely there, on that narrow wire, on those scars, balanced, that there is something to dance about and think perhaps a little about, if that is possible, with all our might.
Claude-Henri Buffard