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Blue Lady
Charles Picq
Entrée d’Apollon
Louis-Guillaume Pécour
Kinkan Shonen – Graine de Cumquat
Ushio Amagatsu
Assaï
Dominique Bagouet
Codex
Philippe Decouflé
Kathak
Birju Maharaj
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Sheer Romance
Charles Picq
Swan Lac
Andy De Groat
Tête close
Joëlle Bouvier , Régis Obadia
Frauenballet
Susanne Linke
Im bade wannen
Susanne Linke
Vertée
Joëlle Bouvier , Régis Obadia
Peurs bleues
Angelin Preljocaj
Larmes blanches
Angelin Preljocaj
Marché noir
Angelin Preljocaj
Hommage à Hoagy Carmichael
Brenda Bufalina
Mort de rire
Mathilde Monnier , Jean-François Duroure
Changement de quai à Poitiers
Karin Waehner
Naï ou cristal qui songe
Hervé Diasnas
Phosphores
Annie Delichères
Eclat de verre
Françoise Bénet
Eclat de verre
Françoise Bénet
Eclat de verre
Françoise Bénet
Une danse blanche avec Eliane (1980)
Dominique Bagouet
Danse de l’enchanteresse – Mohini Attam
Kshemavati
Le pré est vénéneux mais joli en automne
Marie Zighera
Jazz Tap Ensemble
Charles Picq
Nouvelle lune, c’est à dire
Wilfride Piollet , Andy De Groat , Jean Guizerix
Passé Simple
Wilfride Piollet , Francine Lancelot , Jean Guizerix
Pas de deux
Wilfride Piollet , Merce Cunningham , Jean Guizerix
Sonatine
Wilfride Piollet , George Balanchine , Jean Guizerix
Caravan
Lynn Dally
Callas
Reinhild Hoffmann
Spoon River
Lynn Dally
Gris Souris
Véronique Ros de la Grange
Tune for K.B
Keith Terry , Fred Strickler
Hagoromo (la robe de plumes)
Kanze Motoaki
Futari Daimyo (the two lords)
Kanze Motoaki
Han No – Tôru – Shakuno Mai
Kanze Motoaki
Tensile Involvement
Alwin Nikolaïs
Lilax
Pierre Deloche
Pond
Alwin Nikolaïs
Aranzaquil
Dominique Petit
Les pas perdus
Dominique Petit
Gallery
Alwin Nikolaïs
Noumenon
Alwin Nikolaïs
Mechanical Organ
Alwin Nikolaïs
Sanctum
Alwin Nikolaïs
La collection épinglée
Veuve Angine , Marie-Christine Vernay
Kathak
In Northern India, during Medieval times, sacred legends and epic tales were transmitted and taught by Brahman storytellers: Kathakas. They formed a hereditary caste and moved around from temple to temple, accompanying their narration with music and illustrating it through dance, which would develop, become richer and go on to create the traditional style: Kathak. From the 13th century onwards, the art of the Kathakas moved on from temples to palaces. Considered as a court dance, it reached an incredible level of virtuosity.
Kathak techniques require highly-developed choreographic language expressed through “mudras” – coded hand gestures –, movements of the feet, facial expressions and body positions.
The musical accompaniment includes percussions, song and one or several melodic instruments (sitar, santur, harmonium). The main qualities of Kathak are feet rotating, turning and creating rhythms, pounding the ground, improvisations of pure rhythmic mastery dialoguing with percussions.
Birju Maharaj, now retired from the stage, is a great Guru but also an internationally renowned performer. His knowledge goes beyond dance as he is also a singer and plays a wide range of instruments.
Source : Maison de la Danse
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