This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Emergency – Focus
Jérôme Brabant
Couleurs de femmes
Yun Chane
Heimat – focus
Jérôme Brabant
Territoires
Jeff Ridjali
Murmur – focus
Sylvie Robert
Kafrine – focus
Nadjani Bulin
Impair – focus
Jérôme Brabant
Reflex – focus
Didier Boutiana
Mitsaka Festival – focus
Lalanbik
Kaz Bourbon – focus
Nadjani Bulin
Priyèr’ Sï Priyèr’ – focus
Didier Boutiana
Fragments of an uncertain body
Éric Languet
Ma vie sans bal
Éric Languet
Reflex
Didier Boutiana
Priyèr’ Sï Priyèr’
Didier Boutiana
Somewhere, out there, life was screaming
Éric Languet
Heimat
Jérôme Brabant
Emergency
Jérôme Brabant
Impair
Jérôme Brabant
Eric Languet, une rencontre avec la danse intégrée
Éric Languet
Éric Languet, chorégraphe
Éric Languet
Eric Languet, une pratique chorégraphique intégrée
Éric Languet
Barry n’est pas complètement blanc
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / L’élan
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / The bee
France) Soraya Thomas (La Reunion
K.I.S – Kube In Street / The spider
France) Soraya Thomas (La Reunion
Corps Urgents
France) Soraya Thomas (La Reunion
Parkours
France) Soraya Thomas (La Reunion
Absence
Lino Mérion
Holistic – teaser par la Cie 3.0 Edith Chateau & Cie Les Frères Joseph
Edith Chateau
Chronique d’une conversation sensible -TEASER
Edith Chateau
Influences
Lino Mérion
Today
France) Soraya Thomas (La Reunion
Kaaro
Jeff Ridjali , Maud Marquet
La Révolte des Papillons – Teaser
France) Soraya Thomas (La Reunion
Mi mars dann la bote
Luc Maubon
Poésie du geste Traces
Luc Maubon
Lo kor Kanne
Luc Maubon
Nube y Viento
Marion Schrotzenberger
Abstract – un monde
Edith Chateau
Abstract
Edith Chateau
Habiter Le Seuil – TRAILER
Marine Chesnais
Dance of Spirits
Marianne Louise Lebon
Zina
Claudio Rabe
Heimat
The Reunionese choreographer Jérôme Brabant inaugurated his dance company L’Octogonale with a solo piece, Heimat.
The Reunionese choreographer Jérôme Brabant inaugurated his dance company L’Octogonale with a solo piece, Heimat.
The German word Heimat means “Homeland”, the country you carry within yourself, the country that defines an intimate identity, opening onto a unique universe. The choreographer’s insular identity insinuates itself into his staging and his dance. The stage is a rectangular space, stripped bare, where through the shapes and movements he makes, the body of the solo dancer embodies Reunion Island, at the heart of the piece.
The land is characterised by recurring linear and triangular shapes: the island is criss-crossed by lines, either through the air or as horizons. A shape that is repeated across the Reunion Island landscape is the triangle, which becomes the dancer’s adornment and results in the creation of many cones. The cones are arranged over the dancer’s body and as they are moved they resemble Reunionese micro-landscapes. As the shapes evolve on stage, they take on different meanings, such as the fertility of the nurturing earth.
Jérôme Brabant’s dance is steeped here in Maloya, one of Reunion Island’s traditional dances, from which he has taken the repetitive 3-stage movements (flatten out, turn, then stop), demonstrating this obsession for the country that we carry within ourselves, Heimat. The choreographer stresses this almost pulsating movement to which he adds a sensual note by accentuating the use of the hips. The hypnotic, enchanting power of the gesture is a vehicle for returning to the origins of the mixed race people of Reunion Island.
Heimat also casts its eye over the Creole, mixed race or black stereotypes, and the fascination that the dances of non-western peoples can evoke. The imagery of colonialism has produced some stereotypical aesthetics, a true projection of imaginary worlds onto these dances and these bodies from “elsewhere”.
Source : Lalanbik
More information : www.jeromebrabant.com/