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20 Years of Dame de Pic
Karine Ponties
4PKP
Karine Ponties
Le sourire des égarés
Karine Ponties
Luciola
Karine Ponties
Tyran(s)
Karine Ponties
SOI
Karine Ponties
Babil
Karine Ponties
Lamali Lokta
Karine Ponties
Tuco
Karine Ponties
Humus vertebra
Karine Ponties
Havran
Karine Ponties
Fidèle à l’éclair
Karine Ponties
Boreas
Karine Ponties
Holeulone
Karine Ponties
Des Taureaux dans la tête
Karine Ponties
Phébus et Borée
Karine Ponties
Mi Non Sabir
Karine Ponties
Fatima Gate
Karine Ponties , Nathalie Elghoul
Brutalis
Karine Ponties
Sentinelele Naftalina
Karine Ponties
Capture d’un caillot
Karine Ponties
Brucelles
Karine Ponties
Les Taroupes
Karine Ponties
Glabelle duo
Karine Ponties
Glabelle
Karine Ponties
Negatovas
Karine Ponties
Vecinas
Karine Ponties
Dame de Pic
Karine Ponties
Planta Baja
Karine Ponties
Fidèle à l'éclair
Prix du Festival Mimos 2009
In the wake of solo Des Taureaux dans la tête, Fidèle à l’éclair marks the beginning of The Scarecrow Cycle, a series dedicated to this emblematic figure. The series includes solos Fidèle à l’éclair (Claudio Stellato), havran (Jaro Vinarsky) and babil (Eric Domeneghetty), trio Humus vertebra (Eric Domeneghetty, Claudio Stellato, Jaro Vinarsky) that gathers all three figures in one piece, as well as solo Benedetto Pacifico (Guillermo Weickert Molina) that was created in 2011.
The scarecrow figure
A poet of ancient times who reigns at the crossroad of fields, the scarecrow is difficult to describe: for Karine Ponties, it is both a touching and contradictory figure, like a lonely soldier who’s never actually scared anyone. This vertical being is a man’s double, the self-portrait of a being that keeps its own name under silence. A being left to its own devices, a being in full release.
Fidèle à l’éclair
Karine Ponties tackled this process starting from a body, the body of the bogeyman. The bogeyman is a universal figure that gathers all sorts of frightening characters. Its function is to scare and its role is to warn children about moments or places that are considered dangerous. Coming and going with strange gestures, he gives the impression of an otherworldly being that would be weakened by the approach of a human face, and who fully takes on his duty as a righter of wrongs.