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Soapera
CN D – Centre national de la danse
Tempo 76
CN D – Centre national de la danse
Gustavia
CN D – Centre national de la danse
Pudique acide
CN D – Centre national de la danse
Extasis
CN D – Centre national de la danse
La place du singe
CN D – Centre national de la danse
ex.e.r.ce
CN D – Centre national de la danse
E pour eux
CN D – Centre national de la danse
Chinoiserie
CN D – Centre national de la danse
Arrêtez, arrêtons, arrête
CN D – Centre national de la danse
Pavlova 3’23”
CN D – Centre national de la danse
2008 vallée
CN D – Centre national de la danse
Pour Antigone
CN D – Centre national de la danse
Nuit
CN D – Centre national de la danse
Signé, signés
CN D – Centre national de la danse
Stop
CN D – Centre national de la danse
Videlilah
CN D – Centre national de la danse
Le jour de nuit
CN D – Centre national de la danse
Pudique acide / Extasis [recréation]
CN D – Centre national de la danse
Les entretiens de la danse : Jean-Paul Montanari
CN D – Centre national de la danse
Dans tes cheveux
CN D – Centre national de la danse
Pour Antigone, quatre portraits
CN D – Centre national de la danse
La rencontre
CN D – Centre national de la danse
A Mary Wigman Dance Evening
CN D – Centre national de la danse
Débords
CN D – Centre national de la danse
Histoire(s)
CN D – Centre national de la danse
Les entretiens de la danse : karine saporta
CN D – Centre national de la danse
Les entretiens de la danse : Viola Farber
CN D – Centre national de la danse
twin paradox
CN D – Centre national de la danse
u.a
CN D – Centre national de la danse
Ecran somnambule
CN D – Centre national de la danse
Incorporer
CN D – Centre national de la danse
Future memory
CN D – Centre national de la danse
Soapera
CN D – Centre national de la danse
Black Lights
Mathilde Monnier
Ecran somnambule
Un bloc compact au milieu de l’espace nu. Un visage, impassible et grimaçant. Une sculpture immobile, mais qui semble pourtant bouger, s’étirer, se contracter, tendre sa matière jusqu’à la limite d’elle-même.
2012
Latifa Laâbissi
Creation 2012, La Passerelle – Scène Nationale de Saint-Brieuc, dans le cadre du Festival 360°Dance Latifa Laâbissi
Écran somnambule is a solo whose matrix is a unique 1926 film lasting a minute and 40 seconds, an archival fragment of Mary Wigman’s Witch Dance, danced by the choreographer herself. Latifa Laâbissi has chosen to address the question of re-enactment as part of her process of choreographic creation and has plunged deep inside the symbolic archaeology of the work, slowing it down, distorting it. The dance, once detached from its initial foundation, now distended and metabolised, shows us an extraordinary shape: a body bowed completely backwards, arms extended, head blown back, face turned to the sky, a body transformed by an interpretation which stretches time as if driven by an invisible power.
Credits
Concept: Latifa Laâbissi Costume : Nadia Lauro Lighting : Yannick Fouassier Sound score : Olivier Renouf after the instrumental performance of Henri-Bertrand Lesguillier (after the music by H. Hasting and W. Goetze) Running time: 32 minutes