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Faits et gestes
Noé Soulier
Removing
Noé Soulier
Moving Numbers
Robert Swinston
Orifice Paradis
Ana Rita Teodoro
Talking In/To Myself
CNDC – Angers
My Country Music
Deborah Hay
Sans titre 7 : un âne dans un saladier
CNDC – Angers
Ori-mi
Meri Otoshi
La Souillon(e)
Émilie Sri Hartati Combet
Evening performance called “Jeudi’s” : CNDC’s student in the Pompidou’s center
CNDC – Angers
CNDC’s students in the festival “100 dessus dessous” (Paris)
CNDC – Angers
Réservé au personnel
Loïc Touzé
The Ball
Marie-Cerise Risacher
Coquelicots
Lorena Dozio
Reine-Claude
Martin Juvanon du Vachat
Tengo una duda parte II
CNDC – Angers
Carte blanche of Talia de Vries (2010)
CNDC – Angers
Porosité des frontières
CNDC – Angers
Petit tri sélectif
CNDC – Angers
Lo fragil y lo desconicido en la metafora de un viajante
Miguel Garcia Llorens
De toute mon âme, oui, mais pour une seule fois
Marie Orts
Bref
CNDC – Angers
(…)
CNDC – Angers
Meublé sommairement [by the CNDC’s students] 2/2
Dominique Bagouet
Meublé sommairement [by the CNDC’s students] 1/2
Dominique Bagouet
Workshop of Sophie Lessard for the students of the CNDC’s school (Angers)
CNDC – Angers
50 Box
CNDC – Angers
Spiel
Emmanuelle Huynh
Cribles
Emmanuelle Huynh
Cribles/live
Emmanuelle Huynh
A Vida Enorme/performance
Emmanuelle Huynh
Augures
Emmanuelle Huynh
A Vida Enorme/episode 1
Emmanuelle Huynh
O,O
Deborah Hay
The Leaf [inside]
Emmanuelle Huynh
The Leaf [outside]
Emmanuelle Huynh
Heroes
Emmanuelle Huynh
Múa
Emmanuelle Huynh
Leïla “the night”
Abou Lagraa
Suddenly insolence
Claude Brumachon
Solo of Virginie Hang-Law for the “Cartes blanches” 1999
CNDC – Angers
Report about the students’ participation of the “Festival Premiers Plans d’Angers”
CNDC – Angers
Cangrero Negro
CNDC – Angers
Our ephemeral smiles
CNDC – Angers
Duo of CNDC’s students for the “Cartes blanches” 1999
Carmen Werner
Post
François Raffinot
Mens also move walls : CNDC’s students in the “Accroche-cœurs 2001”
Carmen Werner
Words of dancers
Dominique Dupuy , Régis Obadia , Abou Lagraa , Françoise Adret
Workshop of Matthew Hawkins for the students of the CNDC (1998)
CNDC – Angers
Trio of students in the “Festival Premiers Plans 1996”
Richard Nadal
Duo of students in the “Festival Premiers Plans 1996” (Angers)
Richard Nadal
To Hang
CNDC – Angers
Solo of Jasmin Londono
CNDC – Angers
Solo of Sarah Pellerin
CNDC – Angers
The Telegram
Aïcha M’Barek
The Art of communication
CNDC – Angers
Zenzana (the cell)
Hafiz Dhaou
Passages
CNDC – Angers
L’Atomurbin
CNDC – Angers
Fragments
Joëlle Bouvier , Régis Obadia
Klimsbeu
Patrick Le Doaré
Wunsch
José Biondi
Thesis in Bodinier
Raffaella Giordano
A trail of Wildfire
Christine Marneffe
Double room
CNDC – Angers
The Irresponsibility of Apollo
Joëlle Bouvier , Régis Obadia
Furies
Joëlle Bouvier
Hurry Up !
Joëlle Bouvier
L’Effraction du silence
Joëlle Bouvier , Régis Obadia
The small pieces of Berlin [by the CNDC’s students]
Dominique Bagouet
Soli 1993
CNDC – Angers
Doubt and Certitude
Raffaella Giordano
Lecture demonstration (1981)
Alwin Nikolaïs
Changes (by the students)
Merce Cunningham , Louise Burns
Les étudiants du CNDC d’Angers en répétition avec Michèle-Anne De Mey
Michèle Anne De Mey
Eden (rehearsal)
Maguy Marin
Duo d’Eden (rehearsal)
Maguy Marin
Georges Appaix en quartiers d’été au CNDC d’Angers
Georges Appaix
Ris et Danceries
Francine Lancelot
Recto
Alwin Nikolaïs
Passerelle
Alwin Nikolaïs
Ragtime
Alwin Nikolaïs
Burles-romaines
Didier Deschamps
Tauride
Catherine Diverrès
Hervé Robbe’s Summer Quarters
Hervé Robbe
Rossignol
Régine Chopinot
Catherine Diverrès : “Quartiers d’été”
Catherine Diverrès
Workshop Philippe Priasso (1979)
Alwin Nikolaïs
Quotidien sur danse
Viola Farber
Classe au CNDC
Didier Deschamps
Villa-nuage
Viola Farber
Cinq pour dix
Viola Farber
Cinq pour dix
“Cinq pour Dix” allows glimpses of what its writing owes to the earlier period when she was a celebrated performer of Merce Cunningham: specifically-defined movements, confined to a course, on trajectories which open the amplitude of the space.
Viola Farber took over from Alwin Nikolais as the head of the CNDC (Centre nationale de danse contemporaine), Angers in the autumn of 1981. In addition to directing the establishment’s College, she hoped to build up a real company in Europe. This consisted of ten members: four Americans who had come over with her, and six newly-auditioned French dancers. Working at full stretch, she was ready to present a programme of four pieces barely two months after her arrival.
A passionate music lover, Viola Farber drew upon this to infuse a number of her pieces with a cheerful lyricism. “Cinq pour Dix” is one of them, composed in collaboration with jazzman Michel Portal. This aspect apart, “Cinq pour Dix” allows glimpses of what its writing owes to the earlier period when she was a celebrated performer of Merce Cunningham (1953-1965): specifically-defined movements, confined to a course, on trajectories which open the amplitude of the space. The movement spreads from a light but firmly-held upper body, nonetheless susceptible to wide directional variations. The upper torso is open towards the front, allowing an exclamatory freeing up of the upper limbs.
Source: Gérard Mayen