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Faits et gestes
Noé Soulier
Removing
Noé Soulier
Moving Numbers
Robert Swinston
Orifice Paradis
Ana Rita Teodoro
Talking In/To Myself
CNDC – Angers
My Country Music
Deborah Hay
Sans titre 7 : un âne dans un saladier
CNDC – Angers
Ori-mi
Meri Otoshi
La Souillon(e)
Émilie Sri Hartati Combet
Evening performance called “Jeudi’s” : CNDC’s student in the Pompidou’s center
CNDC – Angers
CNDC’s students in the festival “100 dessus dessous” (Paris)
CNDC – Angers
Réservé au personnel
Loïc Touzé
The Ball
Marie-Cerise Risacher
Coquelicots
Lorena Dozio
Reine-Claude
Martin Juvanon du Vachat
Tengo una duda parte II
CNDC – Angers
Carte blanche of Talia de Vries (2010)
CNDC – Angers
Porosité des frontières
CNDC – Angers
Petit tri sélectif
CNDC – Angers
Lo fragil y lo desconicido en la metafora de un viajante
Miguel Garcia Llorens
De toute mon âme, oui, mais pour une seule fois
Marie Orts
Bref
CNDC – Angers
(…)
CNDC – Angers
Meublé sommairement [by the CNDC’s students] 2/2
Dominique Bagouet
Meublé sommairement [by the CNDC’s students] 1/2
Dominique Bagouet
Workshop of Sophie Lessard for the students of the CNDC’s school (Angers)
CNDC – Angers
50 Box
CNDC – Angers
Spiel
Emmanuelle Huynh
Cribles
Emmanuelle Huynh
Cribles/live
Emmanuelle Huynh
A Vida Enorme/performance
Emmanuelle Huynh
Augures
Emmanuelle Huynh
A Vida Enorme/episode 1
Emmanuelle Huynh
O,O
Deborah Hay
The Leaf [inside]
Emmanuelle Huynh
The Leaf [outside]
Emmanuelle Huynh
Heroes
Emmanuelle Huynh
Múa
Emmanuelle Huynh
Leïla “the night”
Abou Lagraa
Suddenly insolence
Claude Brumachon
Solo of Virginie Hang-Law for the “Cartes blanches” 1999
CNDC – Angers
Report about the students’ participation of the “Festival Premiers Plans d’Angers”
CNDC – Angers
Cangrero Negro
CNDC – Angers
Our ephemeral smiles
CNDC – Angers
Duo of CNDC’s students for the “Cartes blanches” 1999
Carmen Werner
Post
François Raffinot
Mens also move walls : CNDC’s students in the “Accroche-cœurs 2001”
Carmen Werner
Words of dancers
Dominique Dupuy , Régis Obadia , Abou Lagraa , Françoise Adret
Workshop of Matthew Hawkins for the students of the CNDC (1998)
CNDC – Angers
Trio of students in the “Festival Premiers Plans 1996”
Richard Nadal
Duo of students in the “Festival Premiers Plans 1996” (Angers)
Richard Nadal
To Hang
CNDC – Angers
Solo of Jasmin Londono
CNDC – Angers
Solo of Sarah Pellerin
CNDC – Angers
The Telegram
Aïcha M’Barek
The Art of communication
CNDC – Angers
Zenzana (the cell)
Hafiz Dhaou
Passages
CNDC – Angers
L’Atomurbin
CNDC – Angers
Fragments
Joëlle Bouvier , Régis Obadia
Klimsbeu
Patrick Le Doaré
Wunsch
José Biondi
Thesis in Bodinier
Raffaella Giordano
A trail of Wildfire
Christine Marneffe
Double room
CNDC – Angers
The Irresponsibility of Apollo
Joëlle Bouvier , Régis Obadia
Furies
Joëlle Bouvier
Hurry Up !
Joëlle Bouvier
L’Effraction du silence
Joëlle Bouvier , Régis Obadia
The small pieces of Berlin [by the CNDC’s students]
Dominique Bagouet
Soli 1993
CNDC – Angers
Doubt and Certitude
Raffaella Giordano
Lecture demonstration (1981)
Alwin Nikolaïs
Changes (by the students)
Merce Cunningham , Louise Burns
Les étudiants du CNDC d’Angers en répétition avec Michèle-Anne De Mey
Michèle Anne De Mey
Eden (rehearsal)
Maguy Marin
Duo d’Eden (rehearsal)
Maguy Marin
Georges Appaix en quartiers d’été au CNDC d’Angers
Georges Appaix
Ris et Danceries
Francine Lancelot
Recto
Alwin Nikolaïs
Passerelle
Alwin Nikolaïs
Ragtime
Alwin Nikolaïs
Burles-romaines
Didier Deschamps
Tauride
Catherine Diverrès
Hervé Robbe’s Summer Quarters
Hervé Robbe
Rossignol
Régine Chopinot
Catherine Diverrès : “Quartiers d’été”
Catherine Diverrès
Workshop Philippe Priasso (1979)
Alwin Nikolaïs
Quotidien sur danse
Viola Farber
Classe au CNDC
Didier Deschamps
Villa-nuage
Viola Farber
Cinq pour dix
Viola Farber
A Vida Enorme/episode 1
A Vida Enorme/episode 1 is a work thought as a film which sound track and image are separate from each other and offered to the spectator one after the other.
A Vida Enorme/épisode 1 is a work thought as a film which sound track and image are separate from each other and offered to the spectator one after the other.
The first part (the sound track), is a dialogue between a man and a woman. Both of them speak to each other from poems of the Portuguese Herberto Helder. The place from which they speak (the street, the bedroom) enters the poetry “sampled” in French and Portuguese. Flashes from David Bowie ‘s Heroes are broadcasted from time to time, crushing the first sound track. This sound gesture is a movement that forms a common horizon for the two protagonists, like a refrain. The man and the woman come next and inscribe their presence on the stage in two autonomous ways that sometimes combine to each other. Their physical weightiness is alternately crude and unsteady and imprints its own story.
I wanted to have different strata work together : the separate strata of sound and image, the superposed strata of the physical and spiritual poetry of Helder and of the rock utopia of Bowie, and the juxtaposed strata of the cutting made for the language and then by the bodies.
A Vida Enorme/episode 1, tries and creates a scattered story, using the cinematographic tools conveyed to the stage and yet without any image projected. In this story the language and the body celebrate the flesh of the world and its opacity.
Source : Mùa website : http://emmanuellehuynh.fr/index.php/en/creations/100-a-vida-enorme-episode-en