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No reality now, la danse et son double
Vincent Dupont , Charles Ayats
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ART.13 [Reportage]
Phia Ménard
ART.13
Phia Ménard
Contes Immoraux Partie 1 : Maison Mère
Phia Ménard
Voice Noise
Jan Martens
any attempt will end in crushed bodies and shattered bones
Jan Martens
Elisabeth gets her way
Jan Martens
The dog days are over
Jan Martens
Man Made
Jan Martens
Period piece
Jan Martens
Hu(r)mano
Marco Da Silva Ferreira
BROTHER
Marco Da Silva Ferreira
førm Inførms
Marco Da Silva Ferreira
Fantasie minor
Marco Da Silva Ferreira
CARCASS
Marco Da Silva Ferreira
Folia
Lia Rodrigues
Ma
Lia Rodrigues
Contre ceux qui ont le goût difficile
Lia Rodrigues
Incarnat
Lia Rodrigues
Pororoca
Lia Rodrigues
Cellule
Nach
Nulle part est un endroit
Nach
Elles disent
Nach
Tumulus
François Chaignaud , Geoffroy Jourdain
Radio Vinci Park Reloaded
François Chaignaud
Symphonia harmoniæ cælestium revelationum (version 11/69)
François Chaignaud
Думи мої – Dumy Moyi
François Chaignaud
Hippopotomonstro – sesquippedaliophobie*
Fabien Plasson
Fiasco
Fabien Plasson , Juliette Belanger
Toi moi, Tituba…
Dorothée Munyaneza
Cellule
On the rooftops of of la Porte de Montreuil at the display for Eloge du puissant royaume choreographed by Heddy Maalem, Nach speaks about urban rituals: “two beings converse in one body, exploring their internal contrasts and toying with the ambiguity of the androgynous body.” For Nach, like all “Krumpers”, is her own avatar, her own character. In her solo Cellule she escapes her imprisonment, evoking not only the films of David Lynch but the autobiographical works of photographers like Francesca Woodman, Nan Goldin or Antoine d’Agata. The walls of this cell are covered with blown up video projections of intertwined bodies. Nach presents her personal version of krump, a coded and hierarchical dance created in Los Angeles in the 2000s following racial riots. It is liberated from the past but remains faithful to its roots.
Source : Nach
