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ALL IN JEST
Christian & François Ben Aïm
FRAGMENT III
Christian & François Ben Aïm
FRAGMENT II
Christian & François Ben Aïm
FRAGMENT I
Christian & François Ben Aïm
Tender Anger
Christian & François Ben Aïm
Marche rond, tourne droit !
Christian & François Ben Aïm
Instantanés #3 – Alex Blondeau
Christian & François Ben Aïm
Vibrations
Christian & François Ben Aïm
Danses invisibles I
Christian & François Ben Aïm
Mirages — Boreal souls
Christian & François Ben Aïm
Ô my brother!
Philippe Monpontet
Snapshots #2 – Léa Lansade
Christian & François Ben Aïm
The dense forest
Christian & François Ben Aïm
The Ogresse of the archives and her dog
Christian & François Ben Aïm
Vibrations
Christian & François Ben Aïm
Instantanés #3 – Alex Blondeau
Christian & François Ben Aïm
Arise
Christian & François Ben Aïm
Ô my brother !
Christian & François Ben Aïm
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Christian et François Ben Aïm
ALL IN JEST
Christian & François Ben Aïm
I remember saying goodbye
Christian & François Ben Aïm
Mirages — Boreal souls – teaser
Christian & François Ben Aïm
SNAPSHOTS #1 Anne-Flore de Rochambeau
Christian & François Ben Aïm
Burn, rebellious hearts
Christian & François Ben Aïm
Burn, rebellious hearts
Christian & François Ben Aïm
La légèreté des tempêtes – Teaser
Christian & François Ben Aïm
Burn, rebellious hearts – Work in progress
Christian & François Ben Aïm
Peuplé, dépeuplé
Christian & François Ben Aïm
Peuplé, dépeuplé
Christian & François Ben Aïm
L’ogresse des archives et son chien
Christian & François Ben Aïm
La forêt ébouriffée
Christian & François Ben Aïm
Valse en trois temps
Christian & François Ben Aïm
La légèreté des tempêtes
Christian & François Ben Aïm
Arise
Teaser
Arise
A creation by Christian and François Ben Aïm and Piers Faccini
A dialogue between dance and music intended for sacred or atypical places, Arise is a piece that will reinvent and remodel itself according to the spaces it occupies.
Arise is based on a sensitive approach to the notions of solitude and elevation. A poetic performance of sobriety to better reveal what is most alive in each of us. This deployment addresses the notion of the sacred and seeks to propose an approach that oscillates between religiosity and the pagan dimension.
The piece takes the form of a dialogue with Piers Faccini, a refined author-composer-performer who signs a sparse and bewitching music. The piece, which is fundamentally evolving, has entered into an intimate resonance with the Sainte-Chapelle, a majestic building, both imposing and soothing, chosen as the place of creation – the project being called upon thereafter to circulate and to be (re)modelled in other spaces.
If the piece is an invitation to meditation, it also tends to experience the opposite movement: that of openness, which borders on the search for a transparency that Tommy Pascal was able to magnify in a film: I remember saying goodbye. Thanks to the subtle eye of the director, inhabited by the expression of the body in movement, the relationship to music as a link between dance, heritage sites and in-situ routes is highlighted.