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Daphnis é Chloé
Jean-Claude Gallotta
Ulysse
Jean-Claude Gallotta
Rei Dom ou la légende des Kreuls
Jean-Claude Gallotta
Le genou de mathilde [Portrait de Jean-Claude Gallotta]
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
Fragments d’une nuit [Hommage a Yves P.]
Jean-Claude Gallotta
Mammame [Le desert d’Arkadine, acte 1]
Jean-Claude Gallotta
Presque Don Quichotte
Jean-Claude Gallotta
Presque Don Quichotte
Jean-Claude Gallotta
Carnets d’un rêveur
Jean-Claude Gallotta
Trois Générations
Jean-Claude Gallotta
Rue de Palanka
Jean-Claude Gallotta
Ulysse
Jean-Claude Gallotta
Sunset Fratell
Jean-Claude Gallotta
Sainte-Marie-Des-Champs [clip]
2003
Montalvo et l’enfant
Jean-Claude Gallotta
Rue de Palanka
Jean-Claude Gallotta
La Légende de Roméo et Juliette
Jean-Claude Gallotta
La Légende de Roméo et Juliette
Jean-Claude Gallotta
Prémonitions
Jean-Claude Gallotta
Prémonitions [extrait]
Jean-Claude Gallotta
Paroles sur Don Quichotte
Jean-Claude Gallotta
My Rock
Jean-Claude Gallotta
My Rock [extrait]
Jean-Claude Gallotta
Montalvo et l’enfant
Jean-Claude Gallotta
Mammame
Jean-Claude Gallotta
Mammame à l’Est
Jean-Claude Gallotta
Mammame à l’Est
Jean-Claude Gallotta
Les Louves [d’après le spectacle Les Louves et pandora]
Jean-Claude Gallotta
Les Louves
Jean-Claude Gallotta
Les Louves [plan séquence]
Jean-Claude Gallotta
L ‘Homme à tête de chou
Jean-Claude Gallotta
L’Homme à tête de chou
Jean-Claude Gallotta
Hommage à Pavel Haas
Jean-Claude Gallotta
Les Fantômes du temps
Jean-Claude Gallotta
L’Enfance de Mammame [duo Petite tête]
Jean-Claude Gallotta
L’Enfance de Mammame [duo Dans le corps]
Jean-Claude Gallotta
Chroniques chorégraphiques – Saison 1
Jean-Claude Gallotta
Chroniques chorégraphiques [extrait Groupé]
Jean-Claude Gallotta
Chroniques chorégraphiques [duo]
Jean-Claude Gallotta
Cher Ulysse
Jean-Claude Gallotta
Cher Ulysse
Jean-Claude Gallotta
Daphnis é Chloé
Jean-Claude Gallotta
Les bergers qui s’attrapent [extrait de Daphnis é Chloé]
Jean-Claude Gallotta
Les bergers qui s’attrapent [Daphnis é Chloé]
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan [acte 1]
Jean-Claude Gallotta
Les Aventures d’Ivan Vaffan [acte 2]
Jean-Claude Gallotta
Carnets d’un rêveur
Jean-Claude Gallotta
Des Gens qui dansent
Jean-Claude Gallotta
Des Gens qui dansent
Jean-Claude Gallotta
Carnets d’Angkor
Jean-Claude Gallotta
Carnets d’Angkor
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
La Rue
Jean-Claude Gallotta
99 duos
Jean-Claude Gallotta
Mammame [1998]
Jean-Claude Gallotta
Quelques notes de Mammame
Jean-Claude Gallotta
Les Larmes de Marco Polo
Jean-Claude Gallotta
Memoire d’une création
Jean-Claude Gallotta
La Chamoule ou l’Art d’aimer
Jean-Claude Gallotta
Un chant presque éteint
Jean-Claude Gallotta
Fragments d’une nuit [Extrait Hommage a Yves P.]
Jean-Claude Gallotta
Le Sacre du printemps précédé de I-Tumulte, II- Pour Igor
Jean-Claude Gallotta
Quelques notes de l’art d’aimer
Jean-Claude Gallotta
Bach danse expérience
Jean-Claude Gallotta
Mammame 2002
Jean-Claude Gallotta
faut que je danse
2017
Les survivants extrait
2017
Les survivants
2017
Daphnis è Chloé
2017
présentation du sacre
2017
Daphnis é Cholé re-création intégral
2017
Audition Australie
2017
Racheter la mort des gestes : Chroniques chorégraphiques 1
Jean-Claude Gallotta
Le Sacre du printemps précédé de I-Tumulte, II-Pour Igor
Jean-Claude Gallotta
Yvan Vaffan
Jean-Claude Gallotta
L’Enfance de Mammame
Jean-Claude Gallotta
Docteur Labus
Jean-Claude Gallotta
Vue sur les marches : Jean-Claude Gallotta
Jean-Claude Gallotta
Entre fiction et frictions, rencontre avec Jean-Claude Gallotta
Jean-Claude Gallotta
Ivan Vaffan OK
Jean-Claude Gallotta
Yvan Vaffan le plongeon
Jean-Claude Gallotta
Yvan Vaffan Sauts LQ
Jean-Claude Gallotta
Daphnis Trio
Jean-Claude Gallotta
Daphnis é Chloé (duo)
Jean-Claude Gallotta
Ulysse les oiseaux
Jean-Claude Gallotta
Vaffan Studio blanc
Jean-Claude Gallotta
Vaffan Cris silencieux
Jean-Claude Gallotta
Entretien avec Jean-Claude Gallotta
Jean-Claude Gallotta
Mammame Cabriole
Jean-Claude Gallotta
Mammame les capes
Jean-Claude Gallotta
Mammame Récréation
Jean-Claude Gallotta
Trois Générations Quatuor des garçons
Jean-Claude Gallotta
Trois Générations
Jean-Claude Gallotta
Trois générations duo découverte
Jean-Claude Gallotta
Mammame’s Childhood [teaser]
Jean-Claude Gallotta
Mammame : Les enfants qui toussent (acte II)
Jean-Claude Gallotta
L’Etranger 20 mn
The Rite and its revolutions
Jean-Claude Gallotta
Mammame’s Childhood [illustrated]
Jean-Claude Gallotta
The Stranger [Teaser]
Jean-Claude Gallotta
l’Etranger
Jean-Claude Gallotta
Mammame’s Childhood [intégral]
Jean-Claude Gallotta
My Rok
Jean-Claude Gallotta
Teaser My Rock
Jean-Claude Gallotta
Teaser My Ladies Rock
Teaser V2 My Ladies Rock
The Stranger [Teaser]
The Stranger : Choreography by Jean-Claude Gallotta, based on the novel by Albert Camus. A trio created in 2015 at MC2 : Grenoble.
My mother died today. She too lived in Algeria when she was a young woman and she may perhaps have been happy there. With The Stranger, like Meursault I find myself immersed in the same incomprehensible, unbearable reality and the same need to describe these absurd feelings. J.-C.G.
“Do you dance ?”, the singer Juliette Gréco asked him in a nightclub in Saint-Germain-des-Prés one evening in 1945. Yes, he danced. As later on he danced – albeit to a different rhythm – with a Swedish student at the ball held to mark the closing of the ceremony at which he was awarded the Nobel Prize in Stockholm in 1957. Albert Camus was aware of a whole people emerging from war and became one of the leaders of his generation – disconcerting quite a few people along the way, as he was not the pure spirit that his most ardent supporters might have wanted him to be. He was a child of the sea, the light and the sun, for whom sensuality was a source of happiness, an antidote to absurdity, the feeling which “is born out of the clash between the human call and the unreasonable silence of the world”.
Jean-Claude Gallotta’s stage and Camus’s page are two beaches which stir under a single light ; the choreography and the novel can then move on together to the rhythm of the clash between the instincts for life and for death. The choreographer will echo the writer’s “blank writing” with a form of dance which might also – from the very beginning – have been called “blank” in that it managed to invent a genre from which all stylistic ornamentation has been stripped.
Contemporary dance and literature enjoy talking to one another. They have found mysterious points of contact over time, in an attempt to say what cannot be said, to face up to this wound which René Char used to say was the closest to the sun – lucidity. C.-H. B.