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L’Aurore
Alain Michard
En Danseuse – Filiz Sizanli
Filiz Sizanli , Alain Michard
En Danseuse – Loïc Touzé
Alain Michard
En Danseuse – Laurent Pichaud
Alain Michard
En Danseuse – Lenio Kaklea
Alain Michard
En Danseuse – Rémy Héritier
Alain Michard
En Danseuse – Miguel Pereira
Alain Michard
En Danseuse – Jennifer Lacey
Alain Michard
En Danseuse – Katerina Andreou
Alain Michard
BING REMOUX
Alain Michard
Un moment de repos
Alain Michard
En Danseuse – Julie Nioche
Alain Michard
En danseuse – Emmanuelle Huynh
Alain Michard
En Danseuse – DD Dorvillier
Alain Michard
Ainsi passe le temps
Alain Michard
Journal d’En Danseuse
Alain Michard
Feuille
Alain Michard
Ecran
Alain Michard
CODA
Alain Michard
La Coalition
Alain Michard
Fwoodmasca
Alain Michard
Le beau mariage
Alain Michard
J’ai tout donné
Alain Michard
Parkinson
Alain Michard
CouaC
Alain Michard
Le panorama
Alain Michard
Parkinson
The piece echoes a trip of Alain Michard in Italy, in Puglia, invited by the architects collective named Stalker. The ultimate experience of chaos, this stay to the south showed the tremendous enjoyment of the Stalker to always postpone the passage to the act, contaminated by the clean energy of the villages of this region. The announced fiasco is transformed into a moment of grace, in the middle of a religious festival punctuated by fanfares, meals, and “pizzica”.
Parkinson is the story of this journey, a story in the form of an accumulation of images, snatches of interlocking memories and memory lapses. An odyssey of language closer to Joyce than to Homer, where dance and speech walk together, run after each other, shift, jostle each other. Anchored in the earth, the dance turns into a trance, shocked, electric, with expressive hands at the ends of the body.
Source: Louma
