This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
SHO-BO-GEN-ZO
CN D – Centre national de la danse
Cherry-Brandy
CN D – Centre national de la danse
Diary of an unknownwn
CN D – Centre national de la danse
Les Corbeaux
CN D – Centre national de la danse
Woyzeck, ou l’ébauche du vertige
CN D – Centre national de la danse
Entracte
CN D – Centre national de la danse
Les Philosophes
CN D – Centre national de la danse
Petit psaume du matin
CN D – Centre national de la danse
ATEM (the breath)
CN D – Centre national de la danse
Paysage Inconnu
CN D – Centre national de la danse
OZOON
CN D – Centre national de la danse
Les Corbeaux
With Les Corbeaux, Josef Nadj and Akosh Szelevényi, saxophonist and multi-instrumentalist, continue their conversation, turning once again to the Nature of their natal region. This performance piece is nourished by the patient observation of the crows.
With Les Corbeaux, Josef Nadj and Akosh Szelevényi, saxophonist and multi-instrumentalist, continue their conversation, turning once again to the Nature of their natal region. As the title suggests, this performance piece is nourished by the patient meticulous scrutiny and observation of crows, in particular the fleeting instant when they touch ground, when the transition between flight and walk transpires. A third partner is invited to join this dance-music dialogue, expressing itself, “reacting freely”, giving voice to its silence: a black painting, liquid sheen, that across the thread of the musical and choreographic gestures, leaves its trace, bearing witness or capturing footprints of the passage of crows. And so, by way of the danced movement Nadj abandons himself to, movement which progressively engages his hand, face, arm and then his entire body over the course of this improvisation – the state Nadj seeks to achieve is preparation for the pictorial gesture. His “becoming bird” merges with his “becoming a brush”.