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Le Songe
Jean-Christophe Maillot
Cendrillon
Jean-Christophe Maillot
Roméo et Juliette
Jean-Christophe Maillot
Shéhérazade
Jean-Christophe Maillot
Daphnis et Chloé
Jean-Christophe Maillot
Faust
Jean-Christophe Maillot
Altro Canto I
Jean-Christophe Maillot
Vers un Pays Sage – Les Imprévus
Jean-Christophe Maillot
LAC
Jean-Christophe Maillot
Choré
Jean-Christophe Maillot
Le Songe
Jean-Christophe Maillot
Daphnis et Chloé
Jean-Christophe Maillot
Oeil pour Oeil
Jean-Christophe Maillot
Opus 40
Jean-Christophe Maillot
Romeo and Juliet
Jean-Christophe Maillot
Vers un Pays Sage
Jean-Christophe Maillot
La Belle
Jean-Christophe Maillot
Dov’è la Luna
Jean-Christophe Maillot
D’une Rive à l’autre
Jean-Christophe Maillot
Men’s Dance
Jean-Christophe Maillot
Entrelacs
Jean-Christophe Maillot
Abstract/Life
Jean-Christophe Maillot
Core Meu
Jean-Christophe Maillot
LAC
Jean-Christophe Maillot presents us his personal’s vision of Swan Lake.
Audiences often associate Swan Lake with its Act II, a stalwart of the classical repertoire so powerfully identifiable by the whiteness of its choreography accompanied by Tchaikovsky’s legendary score. Act II of Swan Lake can be considered as one of the first abstract ballets. A ballet to be contemplated without worrying about what is being said.
LAC by Jean-Christophe Maillot is another narrative ballet. In Swan Lake, everything is obscure, complicated and rich in meaning… Tchaikovsky himself came up with the idea of writing a symphonic ballet about a human creature whose metamorphosis would make any love impossible. The creation of the swan, from Greek, Nordic and Russian legends, makes it a fascinating hybrid being from its very conception.
In collaboration with the writer Jean Rouaud, Jean-Christophe Maillot revives the torments of a story connected to our nightmares. These buried experiences are resurrected and combined against a Machiavellian, family backdrop used to present a ballet of contrasts. The change from animal into human being infuses the entire work and questions our own nature. We believe that we differ from animals because of our ability to make choices. But is this all we are capable of? Are we not after all just as lost as this Prince? Jean-Christophe Maillot shows him faltering between white and black, good and evil, innocence and eroticism. Perhaps our humanity ultimately lies in this unsophisticated insatiability that defines us from our first cry – We want everything!
Source: J.-C. Maillot
More information: www.balletsdemontecarlo.com/en